The Image Journey Posts

I took some photos in Dartmouth in 1978, apparently forgot about them altogether, and rediscovered them 40 years later, tucked into a negative sleeve with the cryptic notation, “Dartmouth — The Enchanted City.” (What a title!) I realized that I have been taking photos in Dartmouth off and on for a long time.

My wife Martha worked in Dartmouth for several years, and sometimes I would accompany her and spend some time walking around this laid-back, homespun city. These photos (that span 2012-2022) are not meant to represent Dartmouth as a whole, rather little moments that caught my eye.

I do social landscape photography and am interested in New Topographics—the human-altered landscape–recording how human behavior and activity has affected the world. I also look for whimsical scenes, as well as elements of surrealism found in everyday life. My work is firmly planted in the documentary tradition, making photos through observation rather than through set-up and image manipulation. Photography keeps me in touch with the changing seasons and the passage of time. My images are intertwined with childhood memories, music, and locations around Hants County, Nova Scotia.

My work has been exhibited in Canada and, internationally, in France and China. The City of Toronto Archives has a collection of 1150 of my digital images. Also, I have eight self-published photo books that are available online through Blurb Books, and at ViewPoint Gallery.

And we’ve got to get ourselves back to the garden, 2012 – © Avard Woolaver

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Christ Church Cemetery, Dartmouth, 2015 – © Avard Woolaver

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View from Kings Wharf, Dartmouth, 2018 – © Avard Woolaver

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Kings Wharf, Dartmouth, 2018 – © Avard Woolaver

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Mic-Mac Mall, Dartmouth, 2012 – © Avard Woolaver

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Queen Street, Dartmouth, 2017 – © Avard Woolaver

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Wish You Were Here, Dartmouth, 2014 – © Avard Woolaver

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Daffodil Garden for Cancer Survivors, Dartmouth, 2022 – © Avard Woolaver

 

Viewpoint Gallery in Bedford, NS., Canada, exhibits fine art photography.

1475 Bedford Highway Unit 109, Bedford, NS  B4A 3Z5

 

 

exhibitions Photography

 

Shooting and processing film is not new to me. It’s something I did practically daily for 30 years (1976-2006). When I got my first digital camera in 2006, I thought I’d never return to shooting film. But here I am almost twenty years later, shooting Ilford HP-5 with a collection of of old film cameras, and processing the film at home in stainless steel tanks. This time around, though, there is no darkroom with a sink and enlargers. I scan the negatives and store the files on my computer.

Why did I go back to shooting film? I think I missed the process, the anticipation, the waiting, the physical connection with the medium, and perhaps the magic. It’s the rush you get when you briefly unspool the negatives (still in the wash) to see if they turned out well, and if there are any keepers. When I glanced at the above photo in negative form, I got a dopamine rush, and couldn’t stop smiling. I don’t get quite the same sense of satisfaction shooting digitally. Perhaps because the results are so immediate, and photos much more numerous.

I’ll still be shooting the majority of my images digitally, but I’ll have the film cameras on hand for those magic moments. Here are some recent film photos shot with a Yashica T4 and Canon AE-1.

Mt. Uniacke, Nova Scotia, 2025 – © Avard Woolaver

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Bayers Lake, Nova Scotia, 2025 – © Avard Woolaver

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Bayers Lake, Nova Scotia, 2024 – © Avard Woolaver

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Bedford, Nova Scotia, 2025 – © Avard Woolaver

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Bedford, Nova Scotia, 2025 – © Avard Woolaver

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Bedford, Nova Scotia, 2025 – © Avard Woolaver

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Bayers Lake, Nova Scotia, 2025 – © Avard Woolaver

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Halifax, Nova Scotia, 2025 – © Avard Woolaver
Windsor, Nova Scotia, 2025 – © Avard Woolaver

 

 

 

Photography

Here are my top ten photos of 2024. I took trips to Toronto and Montreal and also spent some time in Halifax-Dartmouth, so there is a mixture of urban and rural. I looked for the usual suspects–good light, juxtapositions, unusual scenes. Most were taken with my iphone, and some with my DSLR. I often revisit locations throughout the year as the light and season can really affect the mood of the photo. Cheers! And all the best for 2025!

Truro, Nova Scotia, 2024 – © Avard Woolaver

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Montreal, Quebec, 2024 – © Avard Woolaver

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Toronto, Ontario, 2024 – © Avard Woolaver

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Windsor, Nova Scotia, 2024 – © Avard Woolaver

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Halifax, Nova Scotia, 2024 – © Avard Woolaver

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Toronto, Ontario, 2024 – © Avard Woolaver

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Toronto, Ontario, 2024 – © Avard Woolaver

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Black River Lake, Nova Scotia, 2024 – © Avard Woolaver

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Pereau, Nova Scotia, 2024 – © Avard Woolaver

 

Photography

My new photo book, Colour Dreams, is now available at Blurb Books.

There are various motivations for taking a photo–to capture a moment, to document a place or thing, to record beautiful light, or to fulfill an assignment. One of my interests in photography has been to somehow challenge the viewer so that they do a double take; the image holds their attention because there is something thought provoking about it. The notion of using visual trickery and humour came to me early on after discovering the work of American photographer Lee Friedlander, and also the paintings of Belgian surrealist painter Rene Magritte.

I had never dreamed in colour, until quite recently (which is rather odd since I spent 10 years of my life in a darkroom printing colour photographs.) My dreams are odd vignettes, where not much happens, yet I can almost always pinpoint the exact location of the dream. Since first picking up a camera, I have been interested in recording quirky scenes; photos that make you do a double take. In the early days, I didn’t concentrate on it very much. I’d take a photo whenever I came across something unusual. It wasn’t until I got a digital camera in 2006 that I began to actively look for everyday scenes that make the familiar seem a little strange.

With a digital camera, I could experiment more–take many photos of the same scene in order to change the angle of a reflection or align elements perfectly. My image making went from taking a one-off of a particular scene to exploring the scene more fully to get the best possible shot.

In my “Colour Dreams” series, I aim to challenge the viewers’ attention in a subtle way by finding everyday scenes with elements of whimsy and surrealism. Like Magritte, and Friedlander, I want to make the familiar seem a little strange, but without Photoshop and image manipulation. These photos come about through observation, using juxtaposition, reflection, typography, and scale. This series shows colour images with dream-like qualities that aspire to entertain the senses.

Each photo has been given a short title, that may indicate the general mood or emotion of the image. It is a reflection of the primal nature of dreams where we are left with a strong, sometimes, surreal feeling.

Product Details
10×8 in, 25×20 cm
Hardcover, 30 Pages
26 colour photographs

Here are some selections from the book:

Dream Home – © Avard Woolaver

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Dream Vacation – © Avard Woolaver

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Scale Shift – © Avard Woolaver

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Empty McDonalds – © Avard Woolaver

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Vista – © Avard Woolaver

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Stairway to 7-11 – © Avard Woolaver

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Manjiro and Me – © Avard Woolaver

Photography

A selection of photos from my current exhibition at The Craig Gallery in Dartmouth, Nova Scotia.

Dartmouth Now and Then

I took some photos in Dartmouth in 1978, apparently forgot about them altogether, and rediscovered them 40 years later, tucked into a negative sleeve with the cryptic notation, “Dartmouth — The Enchanted City.” (What a title!) Delighted by this find, I went back to rephotograph the same locations. This exhibition also includes some photos of Dartmouth taken in the past few years. It’s amazing how the area’s natural landscape and urban landscape have transformed over time. When we live our daily lives in a particular place, the change is so gradual that we barely notice it. But when the change is seen as a jump-cut after 40-plus years, the transformations can be drastic. And sometimes there has been barely any change at all.

When I was a young man, I was excited about the future, and yet a part of me dreaded any sort of change. The photos I took then were my way of pinning down moments in time, of grasping and understanding things I’d never seen before in my life. Changes in the physical world—as in our lives—are inevitable.

I do social landscape photography and am interested in New Topographics—the human-altered landscape–recording how human behavior and activity has affected the world. I also look for whimsical scenes, as well as elements of surrealism found in everyday life. My work is firmly planted in the documentary tradition, making photos through observation rather than through set-up and image manipulation. Photography keeps me in touch with the changing seasons and the passage of time. My images are intertwined with childhood memories, music, and locations around Hants County, Nova Scotia.

My work has been exhibited in Canada and, internationally, in France and China. The City of Toronto Archives has a collection of 700 of my digital images. Also, I have eight self-published photo books that are available online (through Blurb Books.)

Wentworth and Ochterloney, 1978 and 2022 – © Avard Woolaver

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Mic-Mac Mall, 1978 and 2023 – © Avard Woolaver

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Starr Manufacturing, 1978/ Marine Railway, 2023 – © Avard Woolaver

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Centennial Library, 1978/ Dartmouth Common, 2023 – © Avard Woolaver

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John, Ron and Mike Jackson, 1978 – © Avard Woolaver

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Dartmouth High School 50th Reunion, 2024 – © Avard Woolaver

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We’ve got to get ourselves back to the garden, Windmill Road and Nantucket Ave., 2012 – © Avard Woolaver

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View from Alderney Gate Public Library, 2014 – © Avard Woolaver

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Portland Street, 2023 – © Avard Woolaver

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View from Queen Square, 2022 – © Avard Woolaver

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Daffodil Garden for Cancer Survivors, 2022 – © Avard Woolaver

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No Bull Auto, Windmill Road, 2015 – © Avard Woolaver

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Arcade Fire at Alderney Landing, July 28, 2011 – © Avard Woolaver

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The Town Heroes at Alderney Landing, 2012 – © Avard Woolaver

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Mic-Mac Mall, 2012 – © Avard Woolaver

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Victoria Road, 2011 – © Avard Woolaver

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Wright and Wilkinson, 2018 – © Avard Woolaver

exhibitions Photography