Month: <span>December 2018</span>

Avard Woolaver, Nova Scotia, clouds, sky, stratocumulus,
Newport, Nova Scotia, 2016                     © Avard Woolaver

In my childhood, I spent many hours looking at the sky, studying clouds. I still love looking at the sky, but these days usually have a camera handy.

The sky is often the most interesting and dramatic before, or after a storm. This one was taken just after an October storm. The sky took on an amazing hue; there was a rainbow over to my left. And the clouds kind of blew my mind. I looked up the variety, and they seem to be stratocumulus–low, lumpy layers of clouds. They look more like sheep’s wool than any other clouds I have seen.

Blogging Photography

Avard Woolaver, Montreal, 1983, Kodachrome,
Montreal, Quebec, 1983 © Avard Woolaver

When taking photos I look for good light, and try to get an interesting moment, if possible. But there is also a matter of composition–how to divide the space. There are no hard and fast rules, but I often attempt to divide the frame into three or more sections. I first saw this in the photographs of Tony Ray-Jones and Lee Friedlander. There was a lot going on in the frame–a kind of unified complexity.

This  photo was taken in Montreal in 1983. My friend Stephane is on the right and we were off to celebrate Saint-Jean-Baptiste Day. I’m glad I got this Kodachrome moment.

Blogging Photography

Avard Woolaver, Toronto, payphones, 1982, colour,
Toronto, Ontario, 1982 © Avard Woolaver

Payphones used to be everywhere. When I did street photography in Toronto in the eighties, I didn’t go out of my way to photograph them. Yet, they appear in so many of my shots. I remember my first answering machine from the mid-eighties–I could actually get my messages remotely from a payphone with the aid of a little beeper. My, times have changed!

Photography Toronto

This photo was taken at the corner of Church and Shuter in 2018. It reminds me of the Pretenders song: I went back to Toronto, but my city was gone. Well, not really gone, just replaced by bigger and better things.

Blogging Photography Toronto

Avard Woolaver, Toronto, Kodachrome, Lakeshore Boulevard, Gardiner Expressway, traffic,

© Avard Woolaver

A moment captured on Kodachrome. It was taken on a pedestrian walkover that crosses Lakeshore Boulevard and Gardiner Expressway. The warm light in the late afternoon was a perfect match for this reversal film that was known for its red/magenta cast.

I knew Paul Simon’s song Kodachrome before I got into photography, but didn’t know anything about the film itself. I would discover its magical qualities a few years later. Here is what Songfacts says about the song: “Paul Simon was working on a song with the title “Coming Home” when the word “Kodachrome” came to him. He had no idea what it meant, but knew it would make for a much more interesting song than “Coming Home.” The song became an appreciation of the things in life that color our world, and a look at how our memories are framed to fit our worldviews. Simon sometimes sings the line “Everything looks worse in black and white” as “Everything looks better in black and white.” He changes it a lot, and claims he can’t remember which way he wrote it.”

Kodachrome started in 1935 and effectively ended in 2010, when it was no longer possible to have it processed. Competition from Fujichrome and Ektachrome (which are easier to process) brought a decrease in sales, and the emergence of digital in 2000 signaled the end of the film. But once upon a time, Kodachrome roamed the earth–in cameras, camera bags, and pockets. It was with me when I traveled around Germany in 1978, Asia in 1989, and Europe in 1993. My faithful companion.

Photography Toronto