Category: <span>Black and White</span>

Jasper Avenue, Edmonton, Alberta, 1979 – © Avard Woolaver

My life was quite different forty years ago in 1979. I remember some of that time, but a lot is forgotten. But photographs have a way of bringing the past into sharp focus in a way that almost nothing else can. A moment in 1979, frozen in time.

In 1979, I was in my second year at Acadia University living in residence at Chipman House. I had bought my first guitar–a used Marlin for $25. (This guitar is a Korean knockoff of the legendary Martin guitar–I still play that guitar to this day.) Although I spent some time on my studies, my real passion was taking photographs. Doing assignments for the school paper The Athenaeum was good training and taught me a lot about getting the shot even under difficult conditions. It also taught me the importance of meeting deadlines. We would often be working frantically in the darkroom right up until the last minute before putting the paper to bed.

In the summer of 1979, I got a job working on a railway gang in Wainwright, Alberta. How I got that job, and ended up there is a long and winding story. It was a summer of physical labour, working in the sun doing track maintenance–a good job for a twenty year old. With my photographs, I tried then as I do now, to capture a mood, or a feeling. I didn’t know much back then, but I could recognize good light and at times could capture a moment. It’s what Henri Cartier-Bresson called “a joint operation of the brain, the eye and the heart.”

Railway gang bunk cars, Wainwright, Alberta, 1979 – © Avard Woolaver

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Hanna, Alberta, 1979 – © Avard Woolaver

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100A Street NW, Edmonton, Alberta, 1979 – © Avard Woolaver

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Viking, Alberta, 1979 – © Avard Woolaver

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Viking, Alberta, 1979 – © Avard Woolaver

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Wainwright, Alberta, 1979 – © Avard Woolaver

Black and White Blogging Photography

Dartmouth, Nova Scotia, 2019, black and white,
Dartmouth, Nova Scotia, 2019 – © Avard Woolaver

Although I’m not a big fan of digital manipulation and do almost none to my images, I make an exception when I convert colour images to black and white. To my eye, some scenes just look better in monochrome.

I have always thought of black and white photography as an abstract medium and colour photography as a psychological medium. American photographer Elliott Erwitt said, “With colour you describe; with black and white you interpret.” So, there is more left to the imagination and perhaps more attention paid to graphic details.

When I first heard the version of Kodachrome on Simon and Garfunkel’s The Concert in Central Park, I realized that the lyrics had been changed from the original. According to Songfacts Simon sometimes sings the line “Everything looks worse in black and white” as “Everything looks better in black and white.” He changes it a lot, and claims he can’t remember which way he wrote it.” Neither is better, just a different view of the world.

I used to shoot my digital monochrome images using the b&w mode on my camera until I saw a documentary on Japanese photographer Daido Moriyama. He was going over images on the computer with his assistant and telling him which ones he wanted to be converted to black and white. I started shooting everything in colour and doing the conversions later–it leaves more options. If it’s good enough for Daido Moriyama, it’s good enough for me!

Here are some recent photos that I have converted.

Wentworth Creek, Nova Scotia, 2019, black and white,
Wentworth Creek, Nova Scotia, 2019 – © Avard Woolaver

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Windsor, Nova Scotia, 2019 – © Avard Woolaver

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Newport, Nova Scotia, 2019, black and white,
Newport, Nova Scotia, 2019 – © Avard Woolaver

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Dartmouth, Nova Scotia, 2019, black and white,
Dartmouth, Nova Scotia, 2019 – © Avard Woolaver

Black and White Photography

5th Avenue and East 36th Street, New York, 1983, New York City,
5th Avenue and East 36th Street, New York, 1983 – © Avard Woolaver

I have only been to New York City three times in my life, but each visit there holds vivid memories. It’s an interesting experience to walk around Manhattan with a camera–so much human activity and so many interesting buildings and sights. But I must admit that I never felt very comfortable there. From my Canadian perspective, large American cities seem dangerous and in 1983, New York City was a bit run down and dodgy in certain areas.

These photos were taken on a Ryerson school trip in early November, 1983. I used a Rollei 35S with Tri-X film and shot about six rolls of film over two days. I was looking for interesting scenes and bits of human interaction. Decades later when I scanned the negatives, I found information about the photos that I didn’t know at the time. For instance, the busker playing saxophone was an 18 year old Vincent Herring–a noted jazz saxophonist. Also the invasion of Grenada had just taken place–something I wasn’t really aware of at the time.

Looking at these photos makes me want to go back again, to capture new images and form new memories.

5th Avenue, New York, 1983, New York City,
5th Avenue, New York, 1983 – © Avard Woolaver

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New York, 1983, New York City,
New York, 1983 – © Avard Woolaver – “Perspectiva Mundial” – Spanish monthly for the Socialist Workers Party. Taken in early November, 1983, about two weeks after the American invasion of Grenada.

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Vincent Herring, New York, 1983, New York City,
Vincent Herring, New York, 1983 – © Avard Woolaver

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MoMA, New York, 1983, New York City,
MoMA, New York, 1983 – © Avard Woolaver – Jackson Pollock, “Number 1A”, (1948)

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Three-card Monte, New York, 1983, New York City,
Three-card Monte, New York, 1983 – © Avard Woolaver

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5th Avenue, New York, 1983, New York City,
5th Avenue, New York, 1983 – © Avard Woolaver

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Meatpacking District, New York, 1983, New York City,
Meatpacking District, New York, 1983 – © Avard Woolaver

Black and White Blogging Photography

Grand Pre, Nova Scotia, 2016, shapes, shapes of things,
Grand Pre, Nova Scotia, 2016 – © Avard Woolaver

I like to observe the shapes of things–it’s a big part of my photographic vision. I also like the 1966 hit song by the Yardbirds. You may recall the the opening line…”Shapes of things before my eyes.” Some photos I take remind me of this song with its dark and moody lyrics that are said to be in opposition to the Vietnam War. I love the guitar sounds, the marching beat, and the unforgettable “rave-up” with Jeff Beck’s eastern sounding guitar solo. It is said to be the first popular psychedelic rock song.

Bakers Lake, Nova Scotia, 2010, shapes, shapes of things,
Bayers Lake, Nova Scotia, 2010 – © Avard Woolaver

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Newport, Nova Scotia, 2016, shapes, shapes of things,
Newport, Nova Scotia, 2016 – © Avard Woolaver

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Newport, Nova Scotia, 2010, shapes, shapes of things,
Newport, Nova Scotia, 2010 – © Avard Woolaver

Black and White Blogging Photography

Toronto in the 1980s, Toronto, street photography, Yonge and Dundas, film photography,

The photo was taken twenty years before this area of Toronto was transformed into Yonge-Dundas Square. It was always a happening place–ideal for the type of photography I was into, and just steps away from Ryerson. I like the figure up on the scaffolding–a man doing his work, but taking a few minutes to survey the scene. I wish I could have been up there with him, where, in the words of Gord Downie, “we get to feel small from high up above.”

From the series: Toronto in the 1980s

Black and White Film Photography Photography