Category: <span>Colour</span>

Published March 4, 2017 by

Photography can be our therapy

photography, art, therapy, painting,
Photo Therapy, NS, 2015                                     © Avard Woolaver

You have probably had the experience of taking a casual walk with your camera and feeling your mood improve as you see and capture some interesting scenes. Or had a wonderful experience looking at an old family photo album. Art therapy has been used forever, and photography is just one of its applications.

When I was eighteen I came down with mono and had to drop out of my first year of university. It was a low point in my life. Walking outside with my camera made me feel better—it healed both my mind and body. Some forty years later, I’m still taking walks with my camera and still feeling the positive vibes.

Hungarian photographer Marton Perlaki, whose photos often have a surreal and quirky aspect that I admire, told British Journal of Photography interviewer Tom Seymour, “I think my pictures have a certain childish, absurd humour which plays an important role in my work. I think about photography as a sort of therapy for the mind. I am trying to understand something about myself through the process and the final work.”

Psychotherapist Joshua Miles observed, in a Counselling Directory article, “There is a meaningful and real connection between the creative and therapeutic processes.”                                                                                      —

Photo tip: Look for words on signs that can be used to used to make interesting juxtapositions–for example, a stop sign or a yield sign.

Colour Observation Photography Social Landscape

2015 art therapy Avard Woolaver Canon Rebel T3 colour Nova Scotia photography Windsor

Published February 28, 2017 by

The winter blues are not so bad

colour, winter blues, landscape, snow,
 Newport, NS; 2015                         © Avard Woolaver

The winter blues are not so bad; they calm the mind and aid in concentration. And according to one study of Instagram posts, “mostly-blue images receive 24 percent more likes than photos with high concentrations of reds and oranges.”

Colour psychology is widely used in advertising and marketing and it’s something to consider when you are out taking photos. According to Wikipedia, “Many marketers see color as an important part of marketing because color can be used to influence consumers’ emotions and perceptions of goods and services. Research shows that warm colors tended to attract spontaneous purchasers, despite cooler colors being more favorable.”

One of the pioneers of colour photography was Ernst Haas. He used techniques like shallow depth of field, selective focus, and blurred motion to create evocative, metaphorical works. His colour work was based on keen observation, or “dreaming with open eyes.”

“You become things, you become an atmosphere, and if you become it, which means you incorporate it within you, you can also give it back. You can put this feeling into a picture. A painter can do it. And a musician can do it and I think a photographer can do that too and that I would call the dreaming with open eyes.” – Ernst Haas

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Photo tip: Taking photos at midday when the colour temperature is high (about 5500k) produces blue results as does shooting just before dark. You can also play around with the white balance setting on your camera. The tungsten setting will give a nice blue hue in daylight conditions.

Colour Landscape Light Photography

Avard Woolaver colour colour field landscape minimalism Nova Scotia photography winter

Published February 27, 2017 by

Everyday Objects and the Democratic Forest

brooms, mops, Toronto, street scene, St. Clair West, everyday objects,
St. Clair West, Toronto, 1983     © Avard Woolaver

Photographer Willliam Eggleston is known for legitimizing colour photography as art. His photos are a visual treat without clichés—no sunsets, no lighthouses. Instead, he has ordinary scenes and everyday objects—things that we mostly pass by without notice.

As Eudora Welty says in her introduction to Eggleston’s book The Democratic Forest (1989), one of his photographs might include “old tyres, Dr. Pepper machines, discarded air-conditioners, vending machines, empty and dirty Coca-Cola bottles, torn posters, power poles and power wires, street barricades, one-way signs, detour signs, No Parking signs, parking meters and palm trees crowding the same curb.”

Eggleston looks at the world in a democratic way; all things, even the most banal, are worth photographing. It’s a form of mindfulness—being aware and concentrating on the moment.

“I just wait until [my subject] appears, which is often where I happen to be. Might be something right across the street. Might be something on down the road. And I’m usually very pleased when I get the image back. It’s usually exactly what I saw. I don’t have any favorites. Every picture is equal but different.” – William Eggleston

When I’m in that zone, I take time to observe everything around me. I find it relaxing and meditative. And it can lead to photos of brushes and brooms!

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Photo tip: Try taking photos just where you happen to be. In the coffee shop, in your backyard, in the parking lot. You don’t need to go to Mt. Everest to get good photos.

Colour Documentary Film Photography New Topographics Photography Social Landscape

1983 analog Avard Woolaver film photography new topographics social landscape St. Clair West Toronto Toronto Days

Published February 25, 2017 by

Animals are unpredictable creatures

cat, humour, animals, sign, guard dogs,
Eastern Avenue, Toronto; 1983    © Avard Woolaver

 

Animals are unpredictable creatures. With anything unpredictable (motion; changing light) you’ll want to keep timing in the front of your mind while photographing.

Animals, both willing and unwilling, have been the subject of photographs since the earliest daguerreotype in 1839. Capturing an image of an animal was a tricky business back then, when  exposure times of 10 to 60 seconds were needed. These days digital cameras and smart phones make the process much easier, but getting a good photo is still tricky.

W.C. Fields famously said, “Never work with animals or children.” Photographer Elliott Erwitt, on the other hand, said, “I like working with children and animals. They are more obedient than most grownups. . . and they don’t ask for prints.” Erwitt has a unique way of getting humourous and idiosyncratic photos of dogs, yet manages to show our human connection with them. Many of his dog photos show people interacting with animals, and timing seems to be the critical component.

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Photo tip: Try observing  an animal for some time before taking a photo; often the interaction with people makes a great moment. Stay ready to press the button.

 

Colour Documentary Film Photography Observation Photography Social Landscape

1983 analog animals Avard Woolaver cat film humour Toronto Toronto Days

Published February 24, 2017 by

Wabi-sabi and worn out street signs

wrong way, sign, wabi-sabi, Kentville, Nova Scotia,
Kentville, Nova Scotia;  2006    © Avard Woolaver

Wabi-sabi is a Japanese concept that roughly translates to “imperfect beauty.” It’s an aesthetic that comes from Buddhist teaching; it describes a beauty that’s imperfect, impermanent, and incomplete.

Though there is something appealing about fresh new things wrapped in plastic, we often prefer old, worn-out things. I think of my old LPs with their crackle and pops; my t-shirts from Japan in the 1980’s; a faded hockey team photo from 1972; a baseball glove from 1987. You have your own long list, I’m sure.

Lots of times you may find yourself seeking this wabi-sabi aspect in your photographs. It’s something I do often in my photography–preferring to shoot a run-down street sign over a shiny new one. The lyric I’ve seen most often invoked in discussing wabi-sabi is from “Anthem” by Leonard Cohen: “There is a crack in everything, that’s how the light gets in.”

There could be many interpretations of the faded “wrong way” sign in the photo above: this is the wrong way to maintain a street sign, or it’s just a sign of the times. It might as well say, “Nothing lasts forever.”

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Photo tip: Juxtaposition can lead to visual interest. Try including an object in the foreground that seems incongruous with the rest of the scene.

Colour Documentary New Topographics Photography Social Landscape

Avard Woolaver decay Kentville new topographics Nova Scotia sign social landscape wabi sabi