Category: <span>Observation</span>

scale, photography, Peggys Cove, Nova Scotia,
Peggys Cove, Nova Scotia, 2010   © Avard Woolaver

Scale can be deceiving in photographs, and sometimes it intended to be that way. A photograph can be both fact and fiction, both a document and a lie. It may contain numerous narratives that spring from our imagination. It can be staged or manipulated in Photoshop, yet still be a document. These days the line between fact and fiction has become blurred.

According to photographer Martin Parr, “Most of the photographs in your paper, unless they are hard news, are lies. Fashion pictures show people looking glamorous. Travel pictures show a place looking at its best, nothing to do with the reality. In the cookery pages, the food always looks amazing, right? Most of the pictures we consume are propaganda.”

My photography has always been rooted in the documentary tradition–I’m not one for manipulation, or post-production. Most everything is achieved by where I stand and when I take the photo–(light is a crucial component as well). But sometimes I aim to take photos that are ambiguous. They look like manipulated photos, yet they are not. Using scale is one way to achieve this sense of ambiguity.

This photo was taken in Peggys Cove, Nova Scotia,–a place that is both beautiful and surreal. The rocks in the frame are actually much smaller than the house, but you may disagree!

Photo tip:  Scale provides a frame of reference. A person or object is often put in the frame as a reference point. Try creating tension by including an object of unknown size in the frame.

Black and White Documentary New Topographics Observation Photography Social Landscape

surreal, lights, window, Hipgnosis
Wish You Were Here, Cornwallis, NS;  2013   © Avard Woolaver

Do you remember those unforgettable Hipgnosis album covers? If you are around my age, you probably spent a lot of time in your teenage years listening to LPs and studying the album covers. You would play side one, then flip over to side two, all the while contemplating the meaning of the prism on the cover. The album art was often straightforward–an attractive portrait of the singer or band. But sometimes it was surreal and enigmatic–very artsy.

When I got a camera some years later I remembered those cool Hipgnosis creations (by Storm Thorgerson) and looked for photos with similar moods and juxtapositions. A discarded door on a sidewalk, an odd reflection in a mirror, a blank sign–this lead me to produce a series titled: Wish You Were HereThorgerson was good at isolating odd elements in the image, much like the painter René Magritte. It was clear what you were supposed to notice, but an intended meaning was not so clear. This ambiguity can draw you in and keep you looking for a long time.

—-

Photo tip: Use intentional point of view (POV)–stand in a place so as to get rid of clutter in the background.

Colour Light Observation Photography Social Landscape