Category: <span>Photography</span>

family, milestones, tradition, portrait,
© Avard Woolaver

Family Milestones (Day 2 of 31 Days)

Family traditions don’t have to happen every year. “Usually” and “sometimes” are just as legitimate. When you miss getting a photo of an important event, let it go. The purpose of our family photos is to hold and reflect some of the love we feel for our dear ones. In other words, the people are what matters. Don’t waste even a thought on the photos you missed; the love is inside you. Self-compassion makes you a better parent and a happier person.

If you have children and you missed getting a good first-day-of-school photo, you can take a “first band practice of the new year” picture instead. If you don’t get a picture of your teenager holding the newly issued driver’s license, catch a photo of her first trip through a drive-through, or first time driving to school, or first time backing into a parking space. After all, those are all small victories that are worthy of notice.

Remember, too, that spontaneity adds its own charm to a shot. After all, a lot of the appeal of those “first day of school” shots lies in the ambivalent nature of the situation. Some kids are beaming wholeheartedly, all big grins and shiny new shoes; plenty of other children, though, face the first days (or weeks) of a new school year with a heart-tugging mix of excitement, nervousness, and terror. Capturing that mix of emotions is part of what it interesting to snap a photo just before the bus arrives on that first morning of the new year. Any situation that has a similar mix of strong emotions is going to be one that’s memorable and is rich with photo opportunities.

And, of course, you want to be sensitive. As a dad, I’ve often been guilty of wielding my camera at times when my kids just want to be left alone. It’s so tempting to try to memorialize all those big moments. “Come on,” I hear myself pleading with them. “Just one shot.” To give you a piece of advice that I don’t always follow myself—let it go. Someday, some photo you take will be your last. But it’s not likely to be the particular one you’re taking at the moment.

(For the month of October 2017, I’m participating in the 31 Days bloggers’ challenge. You can find out about it here, and check out the interesting work other bloggers are posting.)

Blogging Photography

2017/10/01, October 1
© Avard Woolaver

Photographing Fall (Day 1 of 31 Days)

In North America, it’s full-on fall now. I live in eastern Canada, which is so beautiful at this time of year. That’s nothing special, though; most places are amazing at this time of year. And if you’re in the southern hemisphere, watching spring arrive, you’re right in the middle of all that beauty.

It’s the transitions, I think. Transitions give us incredible opportunities to focus on what’s changing, what’s just coming into its fullest form, what’s on the way out and you’d better get one more quick look in, while you can. Transitions remind us, viscerally, that change is all around us, all the time; it’s with us every moment.

So photographing the changing seasons is a way of both stopping time and acknowledging its continuous motion. When you’re taking photos this month, you might try to let that awareness guide your focus. (And, coming up for the rest of this month: less philosophy; more concrete examples and suggestions!)

(For the month of October 2017, I’m participating in the 31 Days bloggers’ challenge. You can read all about it here, and check out the interesting work other bloggers are posting.)

Blogging Photography

 

31 Days
© Avard Woolaver

Happy October!

This month’s project is a bit of a departure for my blog: 31 days of taking meaningful photos, right where you are. (I’m using the phrase “in your backyard,” but of course plenty of readers don’t have a backyard. The idea is to continually practice looking for the beauty that surrounds us, wherever we are.)

What’s “31 Days”?

Every October, the blogging team over at 31 Days of Writing puts together a month-long blog link-up. It covers a number of categories, and participants write on their chosen topic throughout the month of October.

Here’s what I will be writing about this month:

On Mondays, “Taking Meaningful Portraits”;

On Tuesdays, “Documenting the Present”;

On Wednesdays, “Making Use of Unique Points of View”;

On Thursdays, “Capturing Light”;

On Fridays, “Moving on from Missed Opportunities”;

On Saturdays, “Using Childhood Memories to Add Resonance”;

On Sundays, “Celebrating the Rhythm of the Seasons.”

I’ll be delighted if you read along throughout the month. And I urge you the check out the other bloggers involved in 31 Days. People write about a wide range of topics in various categories. Some writers focus on offering helpful tips; others share inspiration or take readers through the steps of projects they’re working on.

My blog focuses on photography–specifically, I spend a lot of my time exploring New Topography (i.e., the human-altered landscape). To those who aren’t familiar with this phrase, this movement came into prominence through the work of photographers like William Eggleston, Robert Adams, and Stephen Shore. Lee Friedlander, though he wasn’t precisely aligned with the New Topographers, is another photography giant whose work has always fascinated me.

What I’ll Be Sharing in October

This month I’ll be sharing short essays, one each day, on the topics listed above, along with photos. I’ll also be doing my regular blog entries, including interviews with photographers whose work I admire.

I hope you’ll enjoy reading some of these posts. If you want to subscribe (click on the button over on my sidebar), you’ll receive updates automatically as they appear on the blog. And I’d love to hear your thoughts on anything posted here!

Sunday, October 1: Photographing Fall

Monday, October 2: Family Milestones

Tuesday, October 3: We Don’t Know the Future

Wednesday, October 4: Use a Window as a Frame

Thursday, October 5: The Light of Autumn

Friday, October 6: Film Used to Cost a Lot

Saturday, October 7: When I Was Young, Everything Was Black and White

Sunday, October 8: Annual Traditions Are Overrated

Monday, October 9: Happy (Canadian) Thanksgiving!

Tuesday, October 10: With Information, Sometimes More is More

Wednesday, October 11: For a Change of Perspective, Stand on a Balcony or Climb a Tree

Thursday, October 12: For Golden Hour Light, Get up Early

Friday, October 13: The Moose Was a One-Time Thing

Saturday, October 14: Memory of Where They Used to Be

Sunday, October 15: Seasonal Chores Are Great Photo Opportunities

Monday, October 16: For Portraits, Look for Open Shade

Tuesday, October 17: The Best Camera Is the One You Have with You

Wednesday, October 18: Think of What is in the Foreground

Thursday, October 19: For Night Photos, Use Your Headlights

Friday October 20: Had My Camera; Saw a Deer

Saturday, October 21: Small Events Are Our Lives

Sunday, October 22: Photographing Snow Is Really Photographing Wind

Monday, October 23: With a Pet, Try for Candid Shots

Tuesday, October 24: Change Is a Funny Thing

Wednesday, October 25: Watch the Clouds and Sky

Thursday, October 26: Experiment with Your Flash

Friday, October 27: You Can Always Make a Note and Wait Till Next Year

Saturday, October 28: Photos Remind Me of Songs

Sunday, October 29: A Frosty Morning Can Be a Gift

Monday, October 30: Allow Your Shadow in Your Photo Sometimes

Tuesday, October 31: Holiday Decorations Make Great Photos

 

Blogging Photography

 Victoria Campa
© Victoria Campa

Photographer Victoria Campa loves to photograph people, especially the people she is closest to. She says, “My primary concern, even beyond just photography, is people and their stories. There is nothing more valuable than human connection, and I am fascinated by what occurs when someone is in front of my camera.”  Her portraits are youthful and vibrant. Be sure to check out her work on her website and Instagram.

I asked her eight questions about her work and her current projects. Our online conversation has been lightly edited for clarity.

 

Tell me a little about yourself. Where are you from, and where do you live now?

I was born in New York but my family moved to Spain when I turned 4, so I spent most of my life in Madrid. When I turned 18, I moved back to New York City for university, and I just graduated in May 2017. Right now, I am traveling throughout India and southeast Asia, so I am living in between hostels and trains.

 Victoria Campa
© Victoria Campa

 

What projects are you working on these days?

I collaborate very often with my brother and sister, and we made many photos together this summer that I am still putting together. Another project that is very important to me is a collaboration with photographer and my dear friend Victoria Zavala Carvajal where we create double exposures by combining our two perspectives in one frame. It is called Layers of Synergy. And now that I am traveling for a while, I am photographing a lot, so we will see what shall come of that.

 Victoria Campa
© Victoria Campa

 

You shoot mostly in black and white. What attracts you to monochrome?

The truth is that it goes by phases, and this summer I made a lot of color photographs as well as in black and white. I am attracted to monochrome because sometimes I think that color distracts from a photograph and what it is trying to say. By adding a whole other dimension, it complicates the image in a way that makes a viewer dismiss it more quickly. To me, black and white feels more intimate and more revealing, especially since I mainly photograph people.

 Victoria Campa
© Victoria Campa

 

You do lots of interesting and lively portraits—young people in their environments. Is portraiture something you specialize in?

Yes. My primary concern, even beyond just photography, is people and their stories. There is nothing more valuable than human connection, and I am fascinated by what occurs when someone is in front of my camera. My favorite thing to do is photograph those closest to me, as if by making something beautiful with and of them I can properly communicate what they mean to me.

 Victoria Campa
© Victoria Campa

 

You graduated from Barnard College, in New York City, earlier this year. Has your approach changed now that you are out of school?

My photography has changed significantly from the beginning of my studies (four years ago) to now. Probably simply from spending many hours with my camera, I think I have found the subjects I am interested and I have begun to develop a voice of my own. I am sure my work will continue to grow and change over time.

 Victoria Campa
© Victoria Campa

 

What’s your state of mind when you’re taking good photos? Do you think there’s any connection between your mood or mindset and the results you get?

I definitely think there is a connection, and I think the connection is even deeper when it also involves the subject of my photos. It is important to feel comfortable and for there to be total trust between me and my subject. At the same time, my mindset varies. Sometimes I know exactly what I want before looking through the viewfinder, and other times I am surprised by the resulting frame. At this point, my “camera mind” is always on, and I don’t think I will be able to turn it off anytime soon. I see photos all around me all the time.

 Victoria Campa
© Victoria Campa

 

Who or what inspires you?

In my experience, inspiration can come from anywhere. Whether it’s from the way the light falls on a rock on an afternoon walk, or a conversation with a friend, or even a specific feeling or memory stored deep inside of you that you can’t even recall. I am constantly looking at the work of others, both photographers and other visual artists. I also like to read a lot, and I am very influenced by film. However, I am most inspired by real people and the real happenings that surround me.

 Victoria Campa
© Victoria Campa

 

One final question: Can you tell me briefly about a couple of photographers I may not be familiar with yet but you would recommend checking out?

Some of the photographers I look to often for inspiration are Quentin de Briey and Hollie Fernando. Lately I have been very into street photography in New York and have fallen in love with the work of Andre Wagner.

Victoria Campa
© Victoria Campa

Many thanks to Victoria for doing this interview. I’m so appreciative of her thoughtful answers that provide insight into her work. Be sure to check out her work on her website and Instagram.

Interview Photography

 Nick Prideaux
© Nick Prideaux 

Nick Prideaux shoots beautiful photos, on film, that form a visual diary of his life. His photography is about subtraction, which he approaches with a simple and minimalistic process – focusing on the smaller details, the beauty in the little things. Be sure to check out more of his work on his website and Instagram.

I asked him eight questions about his work and current projects. Our online conversation has been lightly edited for clarity.

Tell me a little about yourself. Where are you from, and where do you live now?

My name is Nick Prideaux and I am originally from Byron Bay, Australia, a small coastal town on the east coast. I studied film production in Melbourne, spent some time in China, then moved to Japan, where I lived for 5 years as a freelance photographer and teacher. Currently, I am based in Bangkok, Thailand, where I’ve lived for the past year and a half.

 Nick Prideaux
© Nick Prideaux

What projects are you working on these days?

I wrapped up my first major solo exhibition in May this year, so since then I’ve spent the last few months putting together my next body of work. I’m always shooting so it’s never quite clear instantly what the project will be, but somewhere along the line, I find the thread that ties it all together.  I’m also putting together a group project with some friends in December, and a new solo show in February in Malaysia.

 Nick Prideaux
© Nick Prideaux

You seem to prefer film over digital. Can you tell us why?

I spent my time in high school shooting film on and off but switched to digital for its convenience and ease of use. I soon found though I could never find my ‘style’ with it as the images I produced were kind of flat and uninteresting; I was never really happy with them. I switched back to film about four years ago and never really looked back. I love film for a variety of reasons but I love its color, its feeling, and the romance attached to it. I like the timely process too; waiting to see the images later is another huge reason why I love it – I don’t like to have that instant gratification that digital offers. I try to practice mindfulness as much as I can, and shooting with film offers that.

 Nick Prideaux
© Nick Prideaux

The approach you take is simple and minimalistic – “focusing on the smaller details, the beauty in the little things.” How did you arrive at this way of seeing?

I think it’s just a process of subtraction rather than addition. I try to love my life as simply as I can so I think my photography is, of course, just an extension of the way I see my life and see the world. I generally approach most things with a ‘less is more’ way of thinking. Even the cameras I use function in this way, as I shoot on mostly simple point and shoots.

 Nick Prideaux
© Nick Prideaux

You shoot stories from your life that form a visual diary. Is time and memory important to you?

Definitely. I think it’s an age thing, along with living abroad for so long – you start to forget things more and more when you aren’t documenting them in some way. The camera for me acts as a kind of conduit for memory.

 Nick Prideaux
© Nick Prideaux

Do you use a flash for most of your photos? What do you like about it?

I use the flash quite often, although try my best not to over use it. I guess my style has a particular color palette to it, and the flash can often help those results ‘sing’ a little more than without. I’m drawn to particular colors and subjects; often the flash can help heighten a particular mood or feeling to it.

 Nick Prideaux
© Nick Prideaux

What’s your state of mind when you’re taking good photos? Do you think there’s any connection between your mood or mindset and the results you get?

I think there is a type of flow that comes with taking good photos, something akin to a zone, or the runner’s high – it just comes in a beautiful free flowing continuous moment. It’s rare though, and it’s always fleeting. Most of the time though I think it’s best you just have to find that feeling in the process. There is definitely a connection between your mood and mindset and the end results. I look back at my photos even a year or so ago and they have a different feeling to them. I’m in a really good place now emotionally now, better than I was a year or so ago, so I think my work is reflecting that.

 Nick Prideaux
© Nick Prideaux

One final question: Can you tell me briefly about a couple of photographers I may not be familiar with yet but you would recommend checking out?

There are so many! But first and foremost is a friend of mine who goes by Yatender – she’s an incredible photographer and I admire her work greatly. Also, Rosie Matheson is a wonderful portrait photographer from the U.K who I love. Daniel Arnold is documenting life in the U.S now with his street photography; I think he is an absolute master. Lina Scheynius‘ work breaks my heart in the most beautiful way.

Nick Prideaux
© Nick Prideaux

Many thanks to Nick for doing this interview. I’m so appreciative of his thoughtful answers that provide insight into his work. Be sure to check out more of his work on his website, and Instagram.

Film Photography Interview Photography