Category: <span>Photography</span>

Pavel Pětroš
© Pavel Pětroš

Czech Republic photographer Pavel Pětroš documents suburban and industrial areas near his home. His strong use of colour, line, and graphic elements make his photographs memorable and give them a strong sense of place. He finds beauty in the everyday world giving a sense of nobility to neglected areas. Be sure to check out his website and Tumblr for more photos. 

I asked him eight questions about his work and his current projects. Our online conversation has been lightly edited for clarity. 

 

Tell me a little about yourself. Where are you from, and where do you live now?

I come from the Czech Republic. I live near the border of Slovakia and Poland in the industrial region. I have always lived in this region since I was born.

Pavel Pětroš
© Pavel Pětroš

What projects are you working on these days?

I have a lot of ideas, but nothing that could be considered a project. So, basically, I am photographing my surroundings.

Pavel Pětroš
© Pavel Pětroš

Your documentary photos are interesting and visually pleasing. What message are you trying get across?

Thank you. There is no general message. I am just photographing my surroundings the way I see them. The individual message is in every photo.

Pavel Pětroš
© Pavel Pětroš

You have been blogging for some time now. Is a blog important for articulating your thoughts?

I used to blog to write and post my photos. Now, I am posting only photos. I use it just as a photo sharing platform.

 

Who or what inspires you?

I am inspired by my surroundings. I work in Ostrava city. This is where I take most of my photos. When I travel, I photograph what I see around me. What attracts me.

Pavel Pětroš
© Pavel Pětroš

What’s your state of mind when you’re taking good photos? Do you think there’s any connection between your mood or mindset and the results you get?

My mind set always same. It is that feeling that I need to photograph.

 

Can you tell me a bit about your exhibition “No Constructive Conclusions”?

There is a little backstory. I got to know Piotr Kaczmarek through Flickr. Last year Piotr suggested having a joint exhibition in AMI gallery in Wroclaw, together with Wojtek Mszyca (Poland) and Ian Nutt (UK). I knew Wojtek from Flickr, too. We met once in Katowice where we were photographing together. Based on this, we decided to show our photos from this location in the exhibition. Ian also knows Wojtek and was shooting in the area, too. Later, this exhibition moved to Frydek-Mistek (Czech Republic), where it is displayed until the end of June 2017. Perhaps, if it works out, the show will move to UK later. Regarding the name of the show, we just didn’t have anything constructive. No constructive conclusion was made.

Pavel Pětroš
© Pavel Pětroš

One final question: Can you tell me briefly about a couple of photographers I may not be familiar with yet but you would recommend checking out?

You probably don’t know these Czech contemporary photographers: Vladimir Birgus, Evzen Sobek, Tomas Pospech. Their work is worth checking out.

 

Many thanks to Pavel for doing this interview. I’m so appreciative of his thoughtful answers that provide insight into his work. Be sure to check out his work on his website and on Tumblr.

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Friday Roundup Photography Social Media

Robert Frank, Don't Blink, photography,
Dundas and Victoria, Toronto, 1981                                                      © Avard Woolaver

I recently watched Don’t Blink, a fascinating documentary on the life and work of photographer Robert Frank. Now 92, Frank is considered, by many, one of the greatest living photographers—and seeing this documentary reminded me that his ground-breaking photographs from The Americans are still relevant, nearly sixty years after publication.

It occurs to me now watching Don’t Blink that it is the emotional impact of his work that makes it special. His documentary photos from the 50s seem timeless, especially since the same social and racial issues he exposed then are still seen today.

Robert Frank was one of my earliest influences when I first discovered photography. I was struck by his photos’ emotional impact, their grittiness, their raw power.

In Don’t Blink, Frank is asked, “What makes a picture good?” He replies, “Mostly I get people when they are not aware of the camera. And usually the first picture was the best one. Once someone is aware of the camera it becomes a different picture; people change.” For him, art is a spontaneous and free-flowing process. It’s something we can apply in today’s digital world, where imaging making has become more glossy and contrived. It makes me want to take photos with my gut—pictures that have emotional impact.

If you have not seen Don’t Blink, TVO (TVOntario) is streaming the film for free until July 9 at the link below. I highly recommend it.

http://tvo.org/video/documentaries/dont-blink-robert-frank

Dundas and Victoria, Toronto, 1981 is from the series: Toronto Days

Robert Frank film screening, Toronto, 1984  © Avard Woolaver

 

Black and White Documentary History Photography

media, social, social media, friday, roundup, friday roundup,
Barber Shop, Toronto, 1981                                                  © Avard Woolaver                                                                                               

Friday roundup, June 9, 2017. Here are some news stories that caught my eye, and ear, on social media this week: #fbf

Lawnmower man: Canadian cuts lawn as tornado looms – and photo goes viral,

Doublethink and Big Brother: George Orwell’s son talks about 68 years of 1984,

Hanna Kostanski paints photos from the Toronto Archives,

Is it illegal to take a selfie while voting in a polling station?,

The Beatles sing “Revolution”,

David Suzuki: Protecting oceans is paying off,

Foreign Airbnb guests soar 40% in Japan,

Still no word on Annie Leibovitz exhibit in Halifax, 4 years after works donated

 

Barber shop, Toronto, 1981, is from the Facebook series: Toronto Days

 

Friday Roundup Photography Social Media

classic rock, Toronto, 1981
Rock ‘n Roll Forever, Toronto, 1981                                                                        © Avard Woolaver                  

It seems that classic rock is here to stay. In 1973, when I was 15, I made a bet with my father. I wrote it out on a piece of paper and still have it tucked away in a drawer. The bet was that the band Jethro Tull would be popular for at least another five years. (Obviously, I won the bet—by a long shot. Jethro Tull made albums, toured, and remained popular for the next thirty-plus years.)

I’m quite smug about it, and reminded him about it over the years. But who was to know that so many groups and singers from the 50s, 60s, and 70s would attain classic rock status and feed the baby boomers’ need for nostalgia. Jethro Tull were cool and British. “Living in the Past,” one of their only hits, was in 5/4 time, and jazzy. That’s all I knew at the time. There was no way of predicting how long they would last.

My father was cynical when it came to pop culture fads. He had seen many things come and go—soda fountains, zoot suits, hula hoops and fallout shelters. To him Jethro Tull, with its quirky mix of folk-jazz-rock flute music, was yet another flash in the pan. Perhaps he also thought that the music from his generation was the true classic music, and everything that followed paled in comparison.

I also listed other bands that I liked and were popular at the time. They included Canadian bands April Wine and the Guess Who, along with Deep Purple, Santana, Led Zeppelin, and the Who. All were popular for decades after and remain popular (at least for baby boomers) to this day. They are played on classic rock stations around the world. It makes me wonder if today’s music will enjoy the same status forty years on. Will Arcade Fire and The Weekend still be popular in 2063? It’s a good question.

Rock ‘n Roll Forever, Toronto, 1981, is from the series: Toronto Days

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