Every year ViewPoint Gallery welcomes new exhibiting members with a “NewPoints” exhibition that showcases their work. I am pleased to be part of this exhibition along with Craig Benjamin and Heather Rose. It runs from January 4th – 28th with an artist talk on January 14th. The gallery is located at 1475 Bedford Highway, Unit 109, Bedford, Nova Scotia.
My portion of the show, titled Found Fields, features ten photos from my recently released photo book, available at Blurb Books. Below are the exhibit photos with their captions.
My latest self-published photo book is titled Found Fields – available through Blurb Books.
Found Fields refers to my approach when taking photos: scenes found in my field of vision. Photographers often call it being a gatherer rather than a hunter—finding scenes by chance, rather than intentionally hunting them down. Many of my photos are taken during my daily routine, or just going somewhere ordinary. Of course, I’m attracted to novelty–going to new places, seeing new things. But I also love seeing familiar scenes, places that I have photographed many times before, and discovering once more that nothing ever looks the same way twice.
Over the years I’ve learned always to carry a camera, and, even more important, to take time to study details of the world around me. In refining my vision and technique, I also strive for images that, I hope, carry some deeper meaning.
The photos in this book show some themes that I have been exploring for a long time now (societal issues; climate change; the failure of capitalism), along with wonderment, and, sometimes, the sheer absurdity of life. I think of the photos collected here as being both optimistic and pessimistic, in roughly equal measure. Ultimately, though, I have a great deal of hope for the future, and I trust these images reflect that. Photography has always been magic for me, and the camera a loyal memory maker.
Found Fields
Photographs by Avard Woolaver
Softcover, 54 pages; 50 colour photos
20 x 25 cm / 8 x 10 in.
In November 2023, I traveled to Toronto for the opening of “Hickox, Pahwa, Woolaver – Scenes from Toronto,” an exhibit at the City of Toronto Archives. The showfeatures photos from the 1980s to the late 2000s, and explores how contemporary artists capture the ever-changing city. The reception was well attended and I had a chance to meet some interesting people, including Patrick Cummins–a former City of Toronto archivist.
My portion of the exhibit is a digital slide show with 250 images on 90 slides. The slides are shown at 7 second intervals. They are drawn from my collection of 700 digital images contained in the archives–primarily street photographs taken in the 1980s. There are also two vinyl enlargements of a street scene, and a phone booth on the wall beside the monitor. The curator of the exhibit, Naoise Dunne, did a wonderful job sequencing the images and identifying themes in my work. It an honour to have my photos in the City of Toronto Archives and I’ll mark this as a highlight in my photographic journey.
April Hickox’s photography documents the unique landscape of Toronto Island and seasonal changes.Vik Pahwa captures the city’s built environment, focusing on forms and shapes, creating abstract images. The three digital slide shows encourage viewers to explore the city through the photographers’ perspective and picture-making methods.
A second exhibit, “If These Walls Could Talk – Researching the history of where you live,” focuses on the unique stories of 11 homes. The exhibit opened on October 19, 2023 and runs until August 2024.
Monday to Friday, 9 a.m – 4 p.m. Free entry
City of Toronto Archives
255 Spadina Rd.
Toronto, ON M5R 2V3
Promo poster for “Hickox, Pahwa, Woolaver – Scenes from Toronto”
I was fortunate to have a portfolio of my 1980s Toronto photos in the 2023 Pingyao International Photography Festival. The festival ran from September 19th to 25th in Pingyao, North China’s Shanxi province. Themed “New Light, New Orientation,” the six-day festival attracted 13,961 works by over 2,000 photographers from 28 countries.
Photo courtesy of China Daily
Curator Don Snyder invited eight photographers to be part of “Image, Document, Memory: Photographs from Canada.” Here is his introduction to the exhibit:
Image, Document, Memory: Photographs from Canada
While thinking about images for the 2023 Pingyao Festival, my first goal was to select work that would be new to the audience in Pingyao. I also wanted to represent approaches to image-making that would range from traditional to highly experimental, and to exhibit photographs from many different parts of Canada.
I considered nearly 50 portfolios and selected eight photographers to invite. While their photographic styles are very different, common themes can be found that link the various portfolios together. Every photographer I spoke with told me they had been deeply affected by the pandemic, and that they had often turned to more personal image-making during this time. This is where the theme of “The Poetic Image” originated, exemplified by the photographs included here from Kendall Townend, Pierre Tremblay and Alexander Alter. These images deal with landscape, time and memory, and the inner workings of the imagination, utilizing methods and processes that blend the uniquely photographic with the composite, layered, and digital imagery.
Many photographers talked about developing a new appreciation for the workers in manufacturing and transportation–workers who kept people everywhere supplied and fed during times of lockdown. This is where the idea to include the portfolios about “Labor and Commerce” originated. Images from Workspace Canada, by Martin Weinhold, and 23 Days at Sea, by Christopher Boyne were chosen for this component of the exhibition.
For the portfolios in Part III, “Place and Culture”, several photographers I spoke with had found themselves reviewing personal archives and images from past years during the pandemic, drawn to explore photography’s unique ability to juxtapose past and present time. The sequences in this group were selected from Toronto Days and Toronto Flashback by Avard Woolaver, and from Kensington Market: Meditations on Home by Wayne Salmon. These portfolios examine the relationships between memory and present time, and between place and a sense of belonging.
Lastly, as an educator I was keenly aware of the changes the pandemic brought to the world of art education. “Making and Thinking: The Idea of a Photographic Workshop” is a group project produced by my colleague Rob Davidson and his students in a situation where they were unable to meet for in-person classes. The images made during this online workshop, available in either book or exhibition form, point to new possibilities for photographic education in an environment of networked communication, and make a strong case for this mode of teaching in the future.
Don Snyder
Here are the photos as they appeared in the exhibition:
Found Fields refers to my approach when taking photos: scenes found in my field of vision. I’ve always been a gatherer rather than a hunter. That is, finding scenes (by chance) rather than intentionally hunting them down. Many of my photos are taken during my daily routine, or just going somewhere. As with many photographers, I’m attracted to the newness of things–going to new places, and seeing new things. But, I’m also attracted to seeing familiar scenes, places that I have photographed many times before. It seems that a particular scene never looks the same way twice.
American photo master Lee Friedlander said it best, “I’m not a premeditative photographer. I see a picture and I make it. You don’t have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.”
There are interesting photo possibilities everywhere. The trick is, always carrying a camera, and taking the time to observe the world around you. Over the years I’ve been refining my vision and technique and am striving for themes and images that have a deeper meaning, (for me, at least.)
I’m currently working on a photo book with the “Found Fields” theme. Stay tuned!
