I’ve been a fan of Lee Friedlander since I discovered his photographs in 1978, in a book titled Concerning Photography. His photos are bursting with creativity, intelligence and deadpan humour–they seem to be the visual equivalent of jazz music. He has been one of my main sources of photographic inspiration over the years.
Lee Friedlander, famous for his pioneering photos of the urban social landscape, has a talent for filling his photos with visual content without making them seem overly crowded. Eric Kim writes on his blog, “Friedlander was very conscious of how he framed his scenes, and wanted to add more complexity to his shots through adding content of interest.”
He accomplished this by using a wide-angle lens—usually a 35mm. That way objects in the foreground can remain in focus along with background elements. Though complexity is not always the answer, it certainly adds interest.
Friedlander also welcomed foreground obstructions such as poles and trees as a way of creating visual interest. He explains, “Somebody else could walk two feet away to get those poles and tress and other stuff out of the way, I almost walk two feet to get into it, because it is a part of the game that I play. It isn’t even conscious; I probably just drift into it… its like a found pleasure. You’ve found something that you like and you play with it for the rest of your life.”
I have included some photos on this post that are my attempt to speak the “language of Lee.” They remind me why I love taking photos. In his words, “You don’t have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.”
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