I’ve heard that line drying of laundry still takes place in Montreal, though it’s not as prevalent as in the 1980s. In Canada, the rules for line drying seem to vary from city to city, with condos probably never allowing it. In rural areas, nobody cares if you hang your clothes out to dry. If you look at the world in terms of a carbon footprint, it should be encouraged everywhere.
This photo was shot on Kodachrome 64 using a Konica T4 camera, with a 28mm lens.
In 1967 I visited Montreal with my family to attend Expo ’67. It gave me a love for Montreal that has remained for all these years. What an amazing city! And it looks so good on Kodachrome.
Baking Mixes brings to mind recipes. The recipe for this photo comes via Lee Friedlander. That is: organize a large amount of information in a dynamic composition. Friedlander is a master of this approach. For documentary photography, it seems the more information, the better. It tells us a lot about the culture and society of a specific time and place. I shall keep on photographing the social landscape with a few different recipes, and hopefully learn some new ones before I’m done.
I thought I’d post some pages from my recently released photobook Toronto Hi-Fi, and explain my editing process. Putting together a photobook of forty year old material is a challenging procedure–from scanning the negatives to choosing the photos, to sequencing them in logical fashion. It’s a task that I enjoy and hopefully improve upon with each project.
I’m always pondering what to include and what to leave out. With this book, I wanted to use photos that were not in my previous four Toronto books, ones that were strong on their own, without any context or adhering to a specific theme. There were several hundred images to choose from and I had to narrow it down to about ninety. (Print-on-demand books are expensive already, and any more would make it just too pricey.) I tried not to let subjectivity get in the way–just my strongest black and white shots.
The title eluded me. My wife suggested “Hat and Jacket” as I had lots of photos with elderly men wearing hats, which was still a thing in the 1980s. I ended up doing one spread of “men with hats,” but seized on the idea of my love of music being a theme. The Toronto Hi-Fi photo (taken before I even moved to Toronto) seemed appropriate as the cornerstone. I often walk around with songs in my head and thought of the phrase “a camera full of film and a head full of songs.” The book now had a basic form; choosing the images got easier.
I’m happy with the results and get the usual rush of nostalgia when I think about my early days in Toronto. I said this in the afterword: “This book is dedicated to the people who have helped me along the way. To the lovers of music, and those who roam the world with a camera. To those who love Toronto, and those who bathe in the warm glow of nostalgia. And to the folks who follow me on social media and take an interest in my photos. I appreciate your giving new life to this work that was barely seen in the 1980s.”
Toronto Hi-Fi
Photographs by Avard Woolaver
Hardcover, 42 pages; 89 b&w photos
20 x 25 cm / 8 x 10 in.
Toronto Hi-Fi is available through Blurb Books.
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I saw many Toronto faces in the 1980s. Often people were present in my street scenes, but not the main feature. But sometimes the people were front and center. My way of approaching people varied, depending on the situation, but I aimed for the moment. Sometimes it seemed better to take a candid photo, whereas other times it seemed more appropriate to talk to the person and ask if I could take a photo.
Many of these photos were taken at Yonge and Dundas, near the entrance to the Eaton Centre–a hub of activity where people of all stripes mixed and mingled and crossed paths. There were buskers, office workers, students, homeless people, and people out shopping. I mostly used a wide angle lens and tried to blend into the environment rather than call attention to myself. And I usually took only one photo of a particular person or group.
Looking back at these photos, I wonder what the children have done in their lives, if the adults are happy in their old age, and if the older adults are still alive. Forty years have passed since I took many of these photos, and so much has changed in Toronto, yet I don’t believe the people have changed much. They still enjoy the thing that make the city unique–sports, entertainment, restaurants, parks, and vibrant neighborhoods. These Toronto faces remind me that although I live in Nova Scotia now, the city keeps calling me back.
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