I may have sung this song back in 1985 when I took this self portrait, but never could have imagined the year 2022, or what it is like to be sixty four. Losing my hair, and slowly losing memories. But still feeling happy, alive, and creative.
The future is unknown to everyone, and the best we can do is make good choices in the moment hoping that they will have a positive outcome in the future. In every moment of time we make a choice. Words to live by.
This photo appears in the book: Toronto Days, available at Blurb Books.
Here are my top ten photos of 2021. I didn’t stray far from home this past year, so most of the photos have a more rural feel. I looked for the usual suspects–good light, juxtapositions, unusual scenes. Most were taken with my iphone, and some with my DSLR. I often revisit locations throughout the year as the light and season can really affect the mood of the photo. Cheers! And all the best for 2022!
Sometimes the big picture is elusive because of all the distractions before us. (Sometimes we can’t see the forest for the trees.) On the other hand, if infinity spreads outward to the stars and also inward into the smallest atoms of these trees, then the big picture doesn’t matter. It’s all a big picture.
An infinite universe exists in the bark of these trees, in our bodies, and in outer space. We can start anywhere. It doesn’t matter if we see the trees in the forest, or the forest within the trees.
This photo was taken on our annual family Thanksgiving walk at First Lake in Lower Sackville, Nova Scotia. A chance to do some forest bathing. I’m so grateful to be alive for this brief time on earth, and grateful for a wonderful family.
These roads near my home are so familiar to me. I know them like a friend, having traveled them literally thousands of times. Every corner, every dip and hill, every bump remains in my memory. Most of my childhood dreams were set on these roads, so at many places I could recall a dream. It’s a pleasure to photograph them in all seasons, under different lighting conditions, and at all times of day. I usually do this when I’m alone as it can annoy family members–“you’re getting out of the car again?”
These road photos are usually taken when there are few cars on the road and taken at spots where it is safe and convenient to pull over. And I have my favourite spots that I photograph again and again. My wife sometimes remarks that I have taken that same shot a hundred times. She’s right, in a sense. But there are subtle things like light and colour that can make the same scene look unique in a photo.
Roads are powerful metaphors. We each travel our own road in life and no one else can live it for us. These images are like little poems from Hants County, Nova Scotia, stops along the road.
Hi! If you’re new here, my name is Avard Woolaver, and I’m a photographer based in Nova Scotia, Canada. Many of you have probably found this website from my one of my social media platforms. I’ve recently stopped posting photos on Instagram but hope to spend more time posting on this site. So here’s an introduction to my work!
A lot of the people who follow me are especially interested in my Toronto photos, taken mostly during the 1980s. (The above photo, previously unpublished, is an example.) I did a lot of street photography and urban landscapes during and after my photography studies at Ryerson University. The negatives sat sorted in files on a bookcase for thirty years before I started scanning them in 2016. The photos are very nostalgic for me–a blast from the past.
One of my main interests is New Topographics–the human-altered landscape. With the rapid advance of the climate emergency, our mismanagement of the environment is becoming more central to my work. I want my photos to be visually interesting, but also carry a message.
Another one of my interests deals with visual perception. My Wish You Were Here series aims to challenge the viewers’ attention in a subtle way by finding everyday scenes with elements of whimsy and surrealism. Emulating artists like Rene Magritte and Lee Friedlander, I want to make the familiar seem a little strange, but without Photoshop or image manipulation. These photos come about through observation, using juxtaposition, reflection, typography, and scale.
My travels have taken me various places in the world. In the late 1980s and early 1990s, I worked in Japan, which gave me a chance to visit southeast Asia. Travel photography is exciting because nearly everything is new and interesting, and you may never be in that place again.
Along with photographing the unfamiliar, I do a lot of revisiting familiar scenes during different times and seasons. A familiar scene can seem so changed under different lighting conditions. I pass the scene below on a daily basis and have photographed it numerous times. It never gets old.
Finally, I like doing self-portraits, and also incorporating humour in my photos when I can. I saw some Lee Friedlander self-portraits when I first got a camera, and they made a lasting impression.
