The road goes on forever.
Tag: <span>black and white</span>
My latest self-published photo book is titled Toronto Hi-Fi – available through Blurb Books.
Music has accompanied me wherever I’ve lived. When I moved to Toronto in 1980 to study photography at Ryerson, naturally my stereo system came with me. I had bought it three years earlier in Halifax–my first proper stereo with hi-fi sound. With an Akai 60 watt-per-channel amp, Dual turntable, Akai reel-to-reel, and Bose 301 speakers, it was my pride and joy.
The purchase of this stereo in 1977 coincided with the dawn of my interest in photography. I learned to process and print black and white film in the Camera Club at Acadia University and was instantly hooked. My newfound fascination with Lee Friedlander, Robert Frank, and Elliott Erwitt paralleled my discovery of John Coltrane, Howlin’ Wolf, and the Allman Brothers.
Throughout the years these two interests have remained intertwined–walking around with film (or a memory card) in my camera, and songs in my head.
The Toronto Hi-Fi photo seen below, and on the front cover, was taken before I moved Toronto. I had flown up in August 1980 to find an apartment and shot it on my first night in the city; it’s one of my very first Toronto photos.
Toronto Hi-Fi
Photographs by Avard Woolaver
Hardcover, 42 pages; 89 b&w photos
20 x 25 cm / 8 x 10 in.
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Sometimes the big picture is elusive because of all the distractions before us. (Sometimes we can’t see the forest for the trees.) On the other hand, if infinity spreads outward to the stars and also inward into the smallest atoms of these trees, then the big picture doesn’t matter. It’s all a big picture.
An infinite universe exists in the bark of these trees, in our bodies, and in outer space. We can start anywhere. It doesn’t matter if we see the trees in the forest, or the forest within the trees.
This photo was taken on our annual family Thanksgiving walk at First Lake in Lower Sackville, Nova Scotia. A chance to do some forest bathing. I’m so grateful to be alive for this brief time on earth, and grateful for a wonderful family.
Here are some recent black and white photos, taken over the past few months. With these images, I revisit familiar themes of juxtaposition, societal symbols, isolation, humour, and the human-altered landscape. In the absence of colour, the photographs gain a level of abstraction; we must use our imagination in a sense to complete the picture. The tones and contrast of the black and white also serves to highlight the graphic elements.
Though I shoot mainly colour these days with a digital camera, monochrome takes me back to the 1980s when I shot tons of Tri-X and spent countless hours in the darkroom. I miss those days sometimes, but feel that I can much the same results with digital technology. For me, it’s what you see, and capture, that’s most important, whether it’s with film or digital; Leica or Brownie box camera.
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These are photos from a folder on my computer titled: Toronto Unseen. They are images of Toronto taken in the 1980s and 1990s that have previously not been posted or published–unseen by the public. I will post them periodically on my blog and talk a little about them.
The photo above was taken in 1982, and I’m unsure of the location. I sometimes look at the contact sheet for clues, and it seems that went to the Danforth Music Hall to see a movie, so it may have been taken on the Danforth. I like this one–people waiting for the bus, or a taxi, life in the big city. I was in my second year of photography studies at Ryerson and taking street photos almost every day, on the lookout for scenes like this one. It was on one of the first rolls taken with my Rollei 35–an amazing little camera with a fixed 40mm Zeiss Sonar lens. Totally manual–you even have to guess the focus. It took a bit of getting used to!
This photo was on the first roll of film after I arrived in Toronto in September 1980. It was across the street from my apartment, literally the first thing I saw when I stepped outside to do my first day of shooting and exploring the city. My camera was still loaded with Kodak Panatomic-X that I was shooting in Nova Scotia. I quickly found out that this 32 ASA fine grain film was unsuitable for street photography and switched to Tri-X after that. These two store fronts were a revelation of sorts. I could never have taken this photo anywhere in Nova Scotia. These type of storefronts just didn’t exist, or at least they weren’t easily seen. Toronto was so foreign, and multicultural that it seemed like a different country. It was exciting and amazing, and I had a camera. It was the start of my love affair with Toronto.
Fast forward fourteen years. I’m back in Toronto after the previous six years teaching English in Japan. Toronto seems smaller and more spacious compared to Japanese cities. I’m still shooting with the Rollei 35, doing less street photography, but trying to refine my approach. I wanted my pictures to be more clever, or at least say something more. With this one I tried to juxtapose the sign “for the human race” with the boy, (racing!) across the bridge with his dog.
These days I’m back living in rural Nova Scotia, where I started out. I have few opportunities to do any kind of street photography, but I’m still refining my vision and trying to take time to observe the world around me.