In analog photography, the image is invisible and remains hidden on the film until it magically appears during development. Poetry can remain in our minds like a latent image. Here is a poem I wrote about this phenomenon.
Don’t you feel inspired whenever you travel? Seeing the world with “fresh eyes” provides wonderful photo opportunities, and you may get some of your best photos when visiting a new place. A little research and preparation in advance can make for a more trouble-free experience when photographing.
Photographer Jim Richardson relates, “Philosophically, photographers seem to divide along that fault line. On one side are those who desire only to be in the moment. For them, forethought only distorts perception. On the other side are the planners. Most National Geographic photographers I know do both: research extensively to prepare their schedule (and their minds) and then become existentially in-the-moment once on site.”
Some of the preparations may involve looking through websites, photo or guide books, or Google Maps to get a sense of what the place looks like and to learn good shooting locations. You can also research seasonal events in the destination, so you don’t miss an important festival or event. Also, with social media, you can meet up with other photographers who are native to the area. It’s a great way to learn the ins and outs of a place, and connect with like-minded people.
—
Photo tip: Connect with other photographers on Flickr or Facebook to join a photo walk. It’s a great way to socialize and learn new things.
It seems that good photos have just the right amount of content—not too busy, not too sparse. One famous quote from National Geographic photographer Jim Richardson, advises, “If you want to be a better photographer, stand in front of more interesting stuff.” And if you happen to be standing in front of some interesting stuff, there is always the question of how much to include in the frame.
American photographer Lee Friedlander, famous for his pioneering photos of the urban social landscape, has a talent for filling his photos with visual content without making them seem overly crowded. Eric Kim (whom I also cited last week) writes on his blog, ”Friedlander was very conscious of how he framed his scenes, and wanted to add more complexity to his shots through adding content of interest.”
Lee Friedlander accomplished this by using a wide-angle lens—usually a 35mm. That way objects in the foreground can remain in focus along with background elements. Though complexity is not always the answer, it certainly adds interest.
—
Photo tip: If you have a wide-angle lens, try shooting with only that lens for a week or two. Make note of how this perspective changes the content in your photos.
You may have noticed the use of complementary colours on sports jerseys—blue and orange; red and green; yellow and purple. The combining of colours that are opposites on the colour wheel creates a sense of balance and harmony. It is something to consider when taking colour photographs.
American photographer Joel Meyerowitz, who rose to prominence in the early 1960s, is one of the pioneers of colour photography. In a 2015 Huffington Postinterview Meyerowitz observed, “So color was a basic force in my development and I learned, early on, that it had an emotive power that needed to be recognized and which made me become a kind of early missionary for color.” A look through his powerful photographs reveals his use of complementary colours.
Photographer Eric Kim relates on his informative blog (erikimphotography.com) how this can be put into practice, “For example, if you see a mostly cool background color (blue, purple, green)– try to wait until someone with a warm color (red, orange, yellow) shirt walks by. It can be the other way too. You can look for a mostly warm background– and wait for someone with a cool colored shirt to step into the scene.”
—
Photo tip: The use of mirrors or reflections can be a way to combine warm colours and cool colours in the same scene.
You have probably had the experience of taking a casual walk with your camera and feeling your mood improve as you see and capture some interesting scenes. Or had a wonderful experience looking at an old family photo album. Art therapy has been used forever, and photography is just one of its applications.
When I was eighteen I came down with mono and had to drop out of my first year of university. It was a low point in my life. Walking outside with my camera made me feel better—it healed both my mind and body. Some forty years later, I’m still taking walks with my camera and still feeling the positive vibes.
Hungarian photographer Marton Perlaki, whose photos often have a surreal and quirky aspect that I admire, told British Journal of Photography interviewer Tom Seymour, “I think my pictures have a certain childish, absurd humour which plays an important role in my work. I think about photography as a sort of therapy for the mind. I am trying to understand something about myself through the process and the final work.”
Psychotherapist Joshua Miles observed, in a Counselling Directory article, “There is a meaningful and real connection between the creative and therapeutic processes.” —
Photo tip: Look for words on signs that can be used to used to make interesting juxtapositions–for example, a stop sign or a yield sign.
