film photography Archives - Page 6 of 12

Published January 13, 2021 by avardw

Photos of Moscow in 1993

I spent a few days in Moscow in late June, 1993. My journey began in Kobe, Japan and a ferry ride to Shanghai, China. After that I made my way to Beijing where I caught the Trans-Siberian to Moscow. I had been working in Japan and decided to return to Canada heading westward across Asia and Europe, rather than the usual flight to Toronto.

My impressions of post-Soviet Russia were that it was generally run down and in disrepair. People in Moscow were quite friendly and welcoming, though some of them were suspicious of my picture taking. Shelves at the supermarkets were quite bare and my morning breakfast was lard on bread. I felt sorry for the women selling dogs and cats outside the train station, trying to earn a living. The economy was in rough shape and American dollars were preferred over Rubles. I got a drive across the city in an ambulance; the driver was earning extra money using it as a taxi. It seemed that the free enterprise system had yet to catch on. It also seemed to me like the wild west.

At the same time there was a great sense of art and history everywhere–amazing architecture and museums. The Moscow metro has some extravagantly designed stations such as Electrozavodskaya that resembles a museum rather than a subway station. In 1993 a metro fare was the equivalent of one cent. There were lots of buskers and street performers on the tourist filled Arbat Street. Some young people were playing American blues songs–a sense of the pervasiveness of American pop culture. I did some street photography there, as well as around the Kremlin.

1993 was the year of the Russian constitutional crisis— a political stand-off between the Russian president Boris Yeltsin and the Russian parliament that was resolved by military force. This took place in early October. The ten-day conflict became the deadliest single event of street fighting in Moscow’s history since the Russian Revolution–147 people were killed and 437 wounded. The country was in a state of drastic change.

Perhaps my photos don’t capture this sense of unrest and transition, but they serve as a document of life in Moscow a few years after the the dissolution of the Soviet Union in December 1991.

More photos this series are in the Moscow 1993 menu. I will be posting colour photos from this series at a later date.

Electrozavodskaya Metro Station, Moscow, 1993 – © Avard Woolaver

Women selling pets, Moscow, 1993 – © Avard Woolaver

Arbat Street, Moscow, 1993 – © Avard Woolaver

Tsoi Wall, Moscow, 1993 – © Avard Woolaver

One vodka, two more vodkas, one beer, Russia, 1993 – © Avard Woolaver

Photography Travel

1993 documentary photography film photography Moscow Russia street photography

Published December 15, 2020 by avardw

Toronto In Colour: the 1980s

Toronto In Colour: the 1980s is my recent collection of Toronto photographs, and is now available at Blurb Books. In the years 1980 to 1986, I shot about 800 rolls of film, most of them street photographs. Of the thousands of photos only about 10% were in colour. I tended to look for different scenes when I had colour film in my camera–usually Kodacolor II, but sometimes Ektachrome or Kodachrome. I would think in terms of “light and colour” rather than “tones and the moment.” So, I sought out slightly different subject matter than when shooting in black and white.

Book Introduction to Toronto In Colour: the 1980s – There is a feeling of freedom walking around a city with a camera. At 62, I still have that feeling but it was more pronounced when I was in my mid twenties, studying photography as a student at Ryerson Polytechnical Institute. I took a lot of photographs in my early years in Toronto, capturing street scenes and ordinary aspects of daily life that happened to catch my eye. American photographer Henry Wessel sums up my approach in this way: “Part of it has to do with the discipline of being actively receptive. At the core of this receptivity is a process that might be called soft eyes. It is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.”

I had no way to anticipate how significant these Toronto photos would seem to me 30 years later. They show things that no longer exist, even though it hasn’t been that long. Without necessarily trying to, I caught images of buildings, cars, fashions, gadgets that are no longer part of our world. Toronto’s entire skyline is utterly changed, part of the inevitable growth and evolution.

Back in the 1980s I would shoot a roll of film (usually black and white), process it a few days later and make a contact sheet. After that I might make an enlargement of one or two of the strongest shots, and then move on. The contact sheets may have been reviewed from time to time when I was preparing for an exhibition, but basically I didn’t look at them for years and years.

Looking back, I wish I had taken more colour photos, but I’m thankful for the ones I have. There were reasons for not shooting much colour. First, there was the added cost; second, I didn’t have much access to a colour darkroom to make prints. And in those days black and white was the preferred medium for fine art and documentary photographers. Ernst Haas was one of the few to exhibit colour photographs. William Eggleston, Stephen Shore, Edward Burtynsky and other colour specialists were just emerging, and colour photography was not yet fully accepted in the art world.

There is a sense of hyper realism in a colour photograph, like looking at a Technicolor movie, that you don’t get with the more abstract black and white view. Japanese photographer Shin Noguchi is one of my favourites. Chuck Patch writes, in the introduction to Noguchi’s In Colour in Japan, “He prefers shooting in colour, because he says, black and white distances his audience by interjecting a layer of artifice between the viewer and the ‘Real World.’” And there’s also the psychological component of how the colours make us feel. Toronto In Colour: the 1980s is a collection of colour photos not seen in the three Toronto books I assembled previously; many of these images, in fact, haven’t ever been posted or published at all.

Toronto In Colour: the 1980s
photographs by Avard Woolaver
Hardcover, 44 pages; 89 colour photos
20 x 25 cm / 8 x 10 in.

Here are a few photos from the book. I hope you enjoy them!

Parliament Street, 1982 – © Avard Woolaver

CNE, Exhibition Place, 1982 – © Avard Woolaver

Medland Crescent, 1982 – © Avard Woolaver

photo book Photography Toronto

Blurb Book film photography photo book photography Toronto Toronto In Colour - the 1980s

Published November 6, 2020 by avardw

Toronto Flashback – a selection of colour photos

Toronto Flashback, colour, — Queen Street West, Toronto, 1982 – © Avard Woolaver

Toronto Flashback (1980-1986) was self published in 2016. It came about with the scanning of negatives that had lain dormant for over thirty years. I was surprised by what came out of the scanner, as I had forgotten many of the images. Thirty plus years will do that to one’s memory. And there are so many images in the Toronto work to recall–over 800 rolls of film.

Recently blogTO, a popular online Toronto publication, reposted a feature about my Toronto Flashback series. It touches on my motivation for taking the photos, and why I decided to scan and publish them. I’ll include a link here: https://www.blogto.com/city/2016/08/a_flashback_to_the_gritty_toronto_of_the_1980s/

Back in the 1980s I would shoot a roll of film (usually black and white), process it a few days later and make a contact sheet. After that I might make an enlargement of one or two of the strongest shots, and then move on. The contact sheets may be reviewed from time to time when preparing for an exhibition, but basically I didn’t look at them for years and years.

Looking back, I wish I had taken more colour photos, but am thankful for the ones I have. There were reasons for not shooting much colour. First, there was the added cost; second, I didn’t have much access to a colour darkroom to make prints. And in those days black and white was the preferred medium for fine art and documentary photographers. William Eggleston, Stephen Shore, Edward Burtynsky and other colour specialists were just emerging in the art world, and colour photography was not yet fully accepted in the art world.

There is a sense of hyper realism in a colour photograph, like looking at a Technicolor movie, that you don’t get with the more abstract black and white view. And there’s also the psychological component of how the colours make us feel. There have been numerous requests that I post and publish more of my Toronto colour work, so my next book will be “Toronto Flashback in Colour.” Stay tuned.

Totonto Flashback, colour, — Wellesley Station, Toronto, 1981 – © Avard Woolaver

Colour Film Photography Photography Toronto

1980s colour photography film photography Toronto Toronto Flashback (1980-1986)

Published September 21, 2020 by avardw

Toronto Gone – the departed social landscape

departed, Toronto, social landscape — View from Hanlan’s Point, Toronto, 1981 – © Avard Woolaver

These photos show things that have departed from Toronto’s social landscape since the 1980s. That Toronto is gone. Or at least parts of it. Buildings, businesses, parking lots, and people that used to be a part of the city in the 1980s have disappeared, and been replaced by others. It’s part of the inevitable cycle of death and rebirth, of disappearance and reappearance. There is no way to know exactly what aspects of a place will change. So in some sense my 1980s Toronto photos are accidental. Their significance now is something I never could have foreseen.

In the above photo the skyline looks relatively sparse. This photo, along with many others I took in the 1980s, shows the disappearance of empty space. The Royal York Hotel is barely visible today, the view crowded out by numerous high rises. The photo below shows a large parking area in the downtown core–another example of once empty space that has been filled in. While some mourn the loss of departed empty space, others, like city planners, welcome it. The condo boom has allowed more people to live in the downtown core, who might otherwise have had to live in the suburbs or in another city.

In the other photos, Jerry’s Camera, Route 66, and Rok’s Milk have all disappeared along with old men in dapper hats, and “Red Rocket” streetcars. I think there are still dinosaurs in Budapest Park (Sir Casmir Gzowski Playground) but the view with the lone high rise is more crowded with numerous towers.

The series “Toronto Gone” puts a focus on things that have disappeared–buildings, businesses, parking lots, cars, people that used to be a part of the city in the 1980s and 1990s prior to the condo boom, and before the widespread use of computers and cell phones.

Santa Claus Parade, Toronto, 1981 – © Avard Woolaver

Photography Toronto

1980s film photography Toronto Gone

Published June 13, 2019 by avardw

Nostalgia and Baby Boomers

Yonge Street, Toronto, 1980 – © Avard Woolaver

Nostalgia can be described as a sentimental longing for the past. It comes from the Greek nostos (homecoming) and algos (pain) and is thought to have been derived from Homer’s The Odyssey.

With baby boomers reaching their senior years, nostalgia seems to be their drug of choice. Advertisers target boomers with Beatles music, retro fashions, and even long dead actors such as Marilyn Munroe selling perfume. While boomers seem to be lapping it up, not everyone is crazy about the nostalgia bug. Heather Havrilesky writes in The Washington Post, “While griping about boomer nostalgia has become a somewhat common art, the cultural impact of that nostalgia transcends mere annoyance. Through sheer repetition and force of will, boomers have so thoroughly indoctrinated us into their worldview that we all now reflexively frame most current affairs through the lens of another generation’s formative experiences.” Abbey Hoffman might say not to trust anyone under 50!

I myself am a baby boomer. Born in 1958, I was six years old when the Beatles came to North America. I sang “A Hard Day’s Night” in my Grade One classroom, watched the moon landing on a fuzzy black and white TV, and took my Diana camera to Expo ’67 in Montreal. While I have nostalgia for those early years, the time I miss most was when I was in my early twenties, studying photography at Ryerson in Toronto.

The photos in this blog post capture the time that I am nostalgic for. They were taken in downtown Toronto in my early years of study. Everything was new and fresh, conversations were stimulating, photography was invigorating. Several of my classmates from that year became lifelong friends. Since returning to those days is impossible, I can make the journey with my retro photographs. It’s the next best thing.