Tag: <span>film photography</span>

Published December 11, 2018 by

Montreal, Quebec, 1983

Avard Woolaver, Montreal, 1983, Kodachrome,
Montreal, Quebec, 1983 © Avard Woolaver

When taking photos I look for good light, and try to get an interesting moment, if possible. But there is also a matter of composition–how to divide the space. There are no hard and fast rules, but I often attempt to divide the frame into three or more sections. I first saw this in the photographs of Tony Ray-Jones and Lee Friedlander. There was a lot going on in the frame–a kind of unified complexity.

This  photo was taken in Montreal in 1983. My friend Stephane is on the right and we were off to celebrate Saint-Jean-Baptiste Day. I’m glad I got this Kodachrome moment.

Blogging Photography

analog photography Avard Woolaver composition film photography Kodachrome Montreal street photography

Published December 6, 2018 by

Toronto, 1994 – when Kodachrome roamed the earth

Avard Woolaver, Toronto, Kodachrome, Lakeshore Boulevard, Gardiner Expressway, traffic,

© Avard Woolaver

A moment captured on Kodachrome. It was taken on a pedestrian walkover that crosses Lakeshore Boulevard and Gardiner Expressway. The warm light in the late afternoon was a perfect match for this reversal film that was known for its red/magenta cast.

I knew Paul Simon’s song Kodachrome before I got into photography, but didn’t know anything about the film itself. I would discover its magical qualities a few years later. Here is what Songfacts says about the song: “Paul Simon was working on a song with the title “Coming Home” when the word “Kodachrome” came to him. He had no idea what it meant, but knew it would make for a much more interesting song than “Coming Home.” The song became an appreciation of the things in life that color our world, and a look at how our memories are framed to fit our worldviews. Simon sometimes sings the line “Everything looks worse in black and white” as “Everything looks better in black and white.” He changes it a lot, and claims he can’t remember which way he wrote it.”

Kodachrome started in 1935 and effectively ended in 2010, when it was no longer possible to have it processed. Competition from Fujichrome and Ektachrome (which are easier to process) brought a decrease in sales, and the emergence of digital in 2000 signaled the end of the film. But once upon a time, Kodachrome roamed the earth–in cameras, camera bags, and pockets. It was with me when I traveled around Germany in 1978, Asia in 1989, and Europe in 1993. My faithful companion.

Photography Toronto

1994 analog photography Avard Woolaver film photography Kodachrome Toronto vintage

Published December 5, 2018 by

Fifth Avenue, New York, 1983

New York, Avard Woolaver, Fifth Avenue, B.Altman and Company, 1983, street photography,

© Avard Woolaver

This photo was taken on Fifth Avenue in New York City in 1983. Walking around New York City with a camera is something I’ve only done twice in my life. Both times were unique and memorable. There is so much happening on the streets, and so many interesting locations.

The mannequin is in the store window of B. Altman and Company, a luxury department store chain founded in 1865. By 1990, the business was closed. In 1985 this Fifth Avenue building became a New York City landmark. It is now occupied by City University of New York, New York Public Library, and Oxford University Press. The Altman Foundation carries on as one of the largest private philanthropies in New York.

From the series: New York City – Flickr album

Photography

1983 analog photography Avard Woolaver B. Altman Company film photography New York New York City street photography

Published July 26, 2018 by

Allie Bennett, Acadia University, 1977

Avard Woolaver, Allie Bennett, Nova Scotia, singer, musician, 1977, Acadia University,

I first met Allie Bennett in the fall of 1977, outside the Student Union Building at Acadia University. He was playing some folk tunes to a small crowd of people. I wondered why there weren’t more people listening; he was really good–a Cape Bretoner with that magic musical touch.

Fast forward to 1982. I was upstairs at Sam the Record Man on Yonge Street looking at blues albums, and there stood Allie Bennett. He was on tour with John Allan Cameron playing bass guitar; really starting to make it in the music business. We  talked a bit about music and our days at Acadia.

Fast forward to 2009. I was at Stanfest in Canso, Nova Scotia. There were lots of amazing performers there that year–Don Maclean, Sarah Harmer, Matt Anderson, Lennie Gallant, Amelia Curran. I was backstage and ran into Allie.  He  was playing bass and fiddle for Bruce Guthro. It was great to catch up after all those years. He has had a long and prolific career as a performer, studio musician with artists such as Rita MacNeil, Stan Rogers, Murray McLauchlan, the Rankin Family, the Barra MacNeils, Mary Jane Lamond, Natalie MacMaster, Ron Hynes,  Dave Gunning, and Ashley MacIsaac. Talent, dedication and the right choices will take you far.

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Documentary Photography

1977 Acadia University Allie Bennett Avard Woolaver colour film photography musician singer

Published July 19, 2018 by

Yonge and Edward, Toronto, 1981

Avard Woolaver, Toronto, Toronto in the 1980s, 1981, Yonge and Edward, documentary photography,

Photos like this contain a lot of information, and I’m glad now I paused a few seconds to take it. The smokestack is the Walton Street steam plant, built in 1971. The Orange Crush sign was a fixture there for a few years. I liked it because it displayed the time and temperature, and also because it seemed to be crushing the building below. I don’t think I was ever in the Health Foods store, Kelly’s Stereo Mart, or Times Square Billiards. But I was often at the World’s Biggest Bookstore, which operated from 1980-2014. I went there many times. It was the kind of place that you never visited for just five minutes. There were so many interesting books, and the prices were good, too. They liked to play up their no frills image with slogans like, “Books priced so low even people who don’t read too good is buying them.” I remember buying Jack Kerouac’s The Dharma Bums there around this time. It was a hot summer afternoon and I walked across the sizzling pavement with the book (and camera) in my hand.

From the series: Toronto in the 1980s

 

Film Photography Photography Toronto

1981 analog photography Avard Woolaver documentary film photography Toronto Toronto in the 1980s Yonge Street