Tag: <span>Nova Scotia</span>

hands, hand portrait, Nova Scotia, 2017,
Hands, Newport, NS; 2017          © Avard Woolaver 

We can learn a lot about people by looking at their hands. Close-up photos of them are often taken when the subjects are newborns or elderly people, but probably relatively few are taken during other phases of life. Hands can say a lot about our interaction with each other and with the world. UK photographer Tim Booth believes the hands tell a more honest story about what a person has been through than faces.

American portrait artist John Singer Sargent (1856-1925) paid particular attention to hands in order to reveal his sitters’ temperament.  Stephanie Herdrich, in an article on the Metropolitan Museum website, writes, “Sargent’s accentuation of hand gestures reveals details about his sitters’ personalities or moods and, in some cases, the sitters’ relationship with the artist.”

Another thing you might take note of when photographing is how your own hands are changing over time. For me, it’s one way I see my own age. In the past few years I’ve developed vitiligo (loss of skin pigmentation, resulting in white patches) on my hands; they look quite different from the way they did a few years ago. It doesn’t bother me and I don’t try to cover it up—it’s mostly a cosmetic thing, not a real health concern—but it is a part of me that has changed, and changed quickly. Since I respond to so much of my daily life from my perspective as a photographer, one way I can notice physical changes over time is through photographs.

You’ve no doubt had the familiar sinking feeling that comes from looking through photos from a few years earlier and thinking, Wow, I’m getting old. I looked so much younger then. (When it hasn’t even been that long, sometimes.) This is something my wife and I talk about often. Age is always at our heels; youth is always receding in the mirror.

Nothing keeps reminding us of that like ordinary snapshots. In that sense, the snapshots that document our most everyday moments become the ones that most accurately chart our passage through time.

Photo tip: It’s a worthwhile endeavor to document the hands of family members over time to see the effects of time and age.

“Hands” appears on Photo Vogue–Vogue Italia website.

Colour Family Photography Portrait Social Landscape

music, songs, treble clef, sound, vision,
Treble Clef, Halifax, NS; 2012               © Avard Woolaver       

With the digital revolution, there are more and more photos being taken. It can seem that any particular photo has already been taken numerous times. An interesting piece by Teju Cole in the New York Times relates that photos we see can remind us of other photos. In my case, they often remind me of songs.

A photo of Route 14 in Hants County, Nova Scotia, inevitably brings to mind John Denver’s “Take Me Home, Country Roads.”  Railroad tracks remind me of Chuck Berry’s “Johnny B. Goode.” Strip malls remind me of Talking Heads “Once in a Lifetime,” and springtime calls forth “Here Comes the Sun” by the Beatles.

Here’s a finding that interests me: “Brain process involved in sight have found the visual cortex also uses information gleaned from the ears as well as the eyes when viewing the world.” This is according to a team of neuroscientists at the Institute of Neuroscience and Psychology at the University of Glasgow. Professor Lars Muckli, who led the research, explained in an article for their university magazine, “Sounds create visual imagery, mental images, and automatic projections.”

Sometimes it’s the imagery in the song; sometimes it’s linked to a memory associated with the song.

“Don’t you wonder sometimes ’bout sound and vision,” David Bowie asked us in the song “Sound and Vision.” Yes, we do.

Photo tip:  Think of a few of your favourite songs and try to take photos that match them.

Black and White Blogging Documentary Observation Photography Social Landscape

forest bathing, shinrin-yoku, forest, winter, Nova Scotia
Forest Bathing, Newport, NS; 2017            © Avard Woolaver

The Japanese have many terms that we don’t use in English. One of my favourites is “forest bathing”– a leisurely visit to a forest. It is becoming more widely practiced in North America but has been a stress management activity in Japan since 1982. Ben Page, founder of Shinrin Yoku LA, remarked in a USA Today story, “A hike is generally oriented as a journey from point A to point B, whereas forest bathing is not about reaching a physical destination. The destination in a forest-bathing walk is more like a mental space of effortless relaxation and awareness.”

Studies have shown that exposure to nature creates calming neuro-psychological effects leading to reductions in stress, anger, anxiety, depression, and sleeplessness. It’s a good reason to take a walk in the woods whenever possible. I’m fortunate to live near a beautiful forest where I can get some exercise, calm my mind, and take some photos.

It’s pleasurable to walk in the forest, even in winter. There are numerous animal tracks in the snow, as well as interesting ice formations, and plenty of crisp, fresh air.

Photo tip: Taking forest photos in a relaxed stare of mind is quite different from the immediacy of capturing a moment. Take note of how your vision changes when you are forest bathing.

Blogging Colour Landscape Light Observation Photography

Travelhome and the Range, Coldbrook, NS; 2017    © Avard Woolaver

 

It seems that good photos have just the right amount of content—not too busy, not too sparse. One famous quote from National Geographic photographer Jim Richardson, advises, “If you want to be a better photographer, stand in front of more interesting stuff.” And if you happen to be standing in front of some interesting stuff, there is always the question of how much to include in the frame.

American photographer Lee Friedlander, famous for his pioneering photos of the urban social landscape, has a talent for filling his photos with visual content without making them seem overly crowded. Eric Kim (whom I also cited last week) writes on his blog, ”Friedlander was very conscious of how he framed his scenes, and wanted to add more complexity to his shots through adding content of interest.”

Lee Friedlander accomplished this by using a wide-angle lens—usually a 35mm. That way objects in the foreground can remain in focus along with background elements. Though complexity is not always the answer, it certainly adds interest.

Photo tip: If you have a wide-angle lens, try shooting with only that lens for a week or two. Make note of how this perspective changes the content in your photos.

Blogging Colour New Topographics Observation Photography Social Landscape

complementary colours, cool warm colours, rear view, winter,
Winter Balance, 2012                            © Avard Woolaver

You may have noticed the use of complementary colours on sports jerseys—blue and orange; red and green; yellow and purple. The combining of colours that are opposites on the colour wheel creates a sense of balance and harmony. It is something to consider when taking colour photographs.

American photographer Joel Meyerowitz, who rose to prominence in the early 1960s, is one of the pioneers of colour photography. In a 2015 Huffington Post interview Meyerowitz observed, “So color was a basic force in my development and I learned, early on, that it had an emotive power that needed to be recognized and which made me become a kind of early missionary for color.” A look through his powerful photographs reveals his use of complementary colours.

Photographer Eric Kim relates on his informative blog (erikimphotography.com) how this can be put into practice, “For example, if you see a mostly cool background color (blue, purple, green)– try to wait until someone with a warm color (red, orange, yellow) shirt walks by. It can be the other way too. You can look for a mostly warm background– and wait for someone with a cool colored shirt to step into the scene.”

Photo tip: The use of mirrors or reflections can be a way to combine warm colours and cool colours in the same scene.

Blogging Colour Light Observation Photography Social Landscape