I’ve always been interested in discarded items left by the curb, waiting to be taken to the landfill, or scooped up by a new owner.
Whoo-ee, are we gonna fly?
Down into the easy chair– “You Ain’t Goin’ Nowhere” by Bob Dylan
I’ve always been interested in discarded items left by the curb, waiting to be taken to the landfill, or scooped up by a new owner.
Whoo-ee, are we gonna fly?
Down into the easy chair– “You Ain’t Goin’ Nowhere” by Bob Dylan
I took this window reflection yesterday in Halifax with my recently purchased Canon D5 Mark II. It is an older camera (from 2009) but is in good condition. Using an unfamiliar camera (and lens) really changes how we see things and how we photograph them.
For the past few years I have been mostly using my phone to take photos. I have gotten used to framing scenes using the screen, held out at arms length. Looking through a viewfinder, and using a 50mm lens, gave me such a sense of joy and freedom. And it seemed that different details caught my eye. There is so much to be learned about perception.
Baking Mixes brings to mind recipes. The recipe for this photo comes via Lee Friedlander. That is: organize a large amount of information in a dynamic composition. Friedlander is a master of this approach. For documentary photography, it seems the more information, the better. It tells us a lot about the culture and society of a specific time and place. I shall keep on photographing the social landscape with a few different recipes, and hopefully learn some new ones before I’m done.
I’ve always been interested in what I think of as “surrealism in everyday life.” (My “Wish You Were Here” series has dealt with this in the past.) Two years ago, I visited Belgium for the first time. My family stayed in Walonia, the francophone southern region, in Liège. We also visited Brussels and took in the wonderful Magritte Museum.
My impression of the country was that Rene Magritte’s surrealist perspective was somehow typical of Belgium. I only spent a week there, but everyday, and literally everywhere, I saw details that screamed surrealism. As Magritte said, “Everyday objects shriek aloud.” There was so much photographic potential for juxtaposition; ambiguity, fantasy, and humour.
Rosetti Rivera writes in Belgium Express: “Belgian surrealism does not only show itself in bold and garish ways. More often than not, it hides within the subtleties of everyday life. If you don’t look hard enough, you may easily overlook those quiet expressions of delightful absurdity that could add a ton of humor and spice to your day.” She recommends paying attention to the architectural mismash, lamp posts, sidewalks, and windows.
I’m hoping to go back to Belgium and explore more of this fascinating and culturally rich country, and “be on the lookout for what has never been.”
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Here are my top ten photos of 2021. I didn’t stray far from home this past year, so most of the photos have a more rural feel. I looked for the usual suspects–good light, juxtapositions, unusual scenes. Most were taken with my iphone, and some with my DSLR. I often revisit locations throughout the year as the light and season can really affect the mood of the photo. Cheers! And all the best for 2022!
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