I recently watched Don’t Blink, a fascinating documentary on the life and work of photographer Robert Frank. Now 92, Frank is considered, by many, one of the greatest living photographers—and seeing this documentary reminded me that his ground-breaking photographs from The Americans are still relevant, nearly sixty years after publication.
It occurs to me now watching Don’t Blink that it is the emotional impact of his work that makes it special. His documentary photos from the 50s seem timeless, especially since the same social and racial issues he exposed then are still seen today.
Robert Frank was one of my earliest influences when I first discovered photography. I was struck by his photos’ emotional impact, their grittiness, their raw power.
In Don’t Blink, Frank is asked, “What makes a picture good?” He replies, “Mostly I get people when they are not aware of the camera. And usually the first picture was the best one. Once someone is aware of the camera it becomes a different picture; people change.” For him, art is a spontaneous and free-flowing process. It’s something we can apply in today’s digital world, where imaging making has become more glossy and contrived. It makes me want to take photos with my gut—pictures that have emotional impact.
If you have not seen Don’t Blink, TVO (TVOntario) is streaming the film for free until July 9 at the link below. I highly recommend it.
Give yourself a photo assignment. A bit of structure can be helpful when taking photos; it gives you a set purpose.
There is something to be said for wandering around aimlessly with a camera looking for whatever grabs your eye. This is the mode I’m frequently in; to me it represents the ultimate freedom. Some of my more memorable photos, however, have come about as the result of a specific assignment.
When attending Ryerson in Toronto I did a project on popular culture. My assignment was to go out on Yonge Street and record as many instances of popular culture as I could find. It was a fun task. I photographed record shops, posters, cars, televisions, fashions, and fast food stores. It led to some interesting photos; shots I normally would not have taken—like this photo in a pinball arcade, for instance. I almost never went to arcades (one of my classmates was addicted to Pac Man) but the assignment gave me reason to go there.
So, if you find yourself in a creative rut, or simply want to try something new, give yourself a photo assignment. It could be stop signs, people wearing hats, triangular shapes, or environmental degradation; the list is endless. You may be pleasantly surprised at the results.
Arcade Scene, Toronto, 1981, is from the Facebook series: Toronto Days
