In the 1960s and 1970s, Lee Friedlander evolved an influential and often imitated visual language of urban “social landscape,” with many of his photographs including fragments of store-front reflections, structures framed by fences, posters and street signs. For the past forty years my own photos have focused on the social landscape, and I owe a lot to Lee for setting me on this course.
I’ve been a fan of Friedlander since I discovered his photographs in the 1970s, in a Time-Life book called Documentary Photography. The writer described the photos as chaotic: “There is a brooding message of disorientation, of something having gone askew in these pictures.” For me, his photos are bursting with creativity, intelligence and deadpan humour–they seem to be the visual equivalent of jazz music. He welcomed foreground obstructions such as poles and trees, and also his own shadow, as a way of creating visual interest. When I was a student at Ryerson, I used to look at a leaf through a book of Lee photos before going out to take photos. He has been one of my main sources of photographic inspiration over the years.
Eric Kim writes in his blog: “Friedlander was interested in capturing “The American social landscape.” This included photographs that included people and also photographs that didn’t include people. I think one of the biggest cruxes in my street photography career so far is the idea that all of my shots had to include people.
If you look at some of Friedlander’s best work, many of them don’t include people. Rather, he focuses on signage, interesting sculptures, numbers, words, letters, cars, and other intimate objects. I think this is actually what makes Friedlander’s work stand out from all of the street photographers from history; the fact that his photos that don’t include people still have so much humanity– and tell a lot about American society.”
Everyone has their own visual take on the world. My photos represent my own vision of the social landscape that has evolved over time. It’s important to give a nod to those who inspired you. Most of the photos in this post were taken quite recently. Lee has been on my mind.
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